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Steven Spielberg Will Direct a Stage Musical, Written by Tony Kushner

Kushner has been Spielberg's go-to screenwriter for two decades now: "Munich," "Lincoln," "West Side Story" and "The Fabelmans." All four were Best Picture nominees.

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Guy Maddin to Direct ‘The Confessions,’ Starring Alexander Skarsgård, Hunter Schafer, Maya Hawke and Harry Melling

Before "Rumours," Guy Maddin, the great Canadian surrealist, hadn't shot a feature in more than seven years. Now, two years after that film premiered at Cannes, he already has his next one lined up.

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‘Dune: Part Three' Social Embargo Lifts December 2, Reviews Drop December 9

This morning, invites went out to press for screenings of Denis Villeneuve's "Dune: Part Three." I got one, and my screening is set for December 1. That's 17 days before the film opens in theaters.

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Lee Cronin’s ‘A Nightmare on Elm Street’ Reboot Is Dead at Warner Bros, Paramount Now in Charge

Warner's version, which had ‘Evil Dead Rise’ director Lee Cronin in talks to write and direct, has been shelved. That leaves only Paramount Primal with plans to make a new Elm Street movie.

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Ari Aster's ‘Scapegoat' Script Is Exactly What You'd Expect: Influencers, Neo-Nazis, ICE Raids, Erika Kirk and… Nukes

"Scapegoat" is a lot. It's a hospital procedural, a doxxing noir, a marital thriller and an apocalypse satire all at once, and, much like "Eddington," the back half turns into a string of absurd, gory set pieces.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The End of Oak Street’ Review Embargo Lifts: 67 on Metacritic, 85% on Rotten Tomatoes

August 12, 2026 Jordan Ruimy

The review embargo has lifted on David Robert Mitchell’s “The End Oak Street,” and we might have one last good studio summer movie in our hands — actually two, if you count “Coyote vs Acme,” which I’ll get to a little later.

The aggregates on ‘Oak Street’: 67 on Metacritic and 85% on Rotten Tomatoes. Not bad, all things considered, especially given the fact that the film has been plagued by delays for over a year now, including a title change earlier this year. Warner Bros. had no idea what to do with this $80M movie.

Those scores are not exactly great, and while some believed that an early rave tweet from IndieWire’s David Ehrlich might spell good fortune for the film, his now-published “A-” review is more of an anomaly than an indication of any broader consensus.

Hopefully, the reviews bump up current tracking for ‘Oak Street,’ which is in the $15-$17M range. I mean, how hard can it be to convince mainstream moviegoers to go see a well-reviewed dinosaur movie? The ‘Jurassic World’ movies have been subpar for almost 30 years now, yet they still make the big bucks.

The film stars Ewan McGregor, Anne Hathaway, Christian Convery, and Maisy Stella. Set in a suburban neighborhood during the 1980s, the story centers on a family going through a difficult period. Without warning, their entire community — Flowervale’s Oak Street — is mysteriously transported back to prehistoric times by an unknown supernatural phenomenon.

I’ll be catching ‘Oak Street’ tonight and will start a readers’ reaction thread over the weekend. A new film from David Robert Mitchell is coming, eight years since his last one, “Under the Silver Lake,” and he’s already shot that “It Follows” sequel — which means he has another film set for release next year.

← Lilly Wachowski Says Hollywood Too Scared to Finance $10M Trans Action ThrillerJack Lowden Is “Strongly Considered” for James Bond →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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