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Ira Sachs’ ‘The Man I Love’ Is Cannes 2026's Best Film Still Seeking U.S. Distributor

Just five Cannes competition titles still seek U.S. distribution, four of them subpar, all French. The fifth, and easily the best film still without US studio attachment, is Ira Sachs’ “The Man I Love.”

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‘How to Lose a Guy in 10 Days’ Sequel at Paramount — With Kate Hudson and Matthew McConaughey

McConaughey recently said that “How to Lose a Guy in 10 Days” is the movie that pays him the most in residuals—the ongoing “mailbox money” he receives from the film being shown, streamed, and rented.

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Casey Affleck’s ‘Company’ Finds a European Welcome as U.S. Festivals Keep Their Distance

Despite the Venice launch, “Company” has so far failed to land a berth at any of the major North American fall festivals. It was not announced by Toronto, Telluride or the New York Film Festival.

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Ang Lee’s ‘Gold Mountain’ Wraps 4-Month Production, Marking His First Film in Nearly Eight Years

The story being told in “Gold Mountain” feels right at home for Lee — especially after his tech-obsessed filmmaking of the last 14 years (“Life of Pi,” “Billy Lynn’s Halftime Walk,” “Gemini Man”).

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Nicholas Hoult Exits ‘Harry Potter’ After JK Rowling Backlash, Replaced by Kit Harington as Gilderoy Lockhart

Hoult has dropped out of ‘Harry Potter’ and has been replaced by Kit Connor. Hoult’s reason was “scheduling issues,” and hey, maybe it really was “scheduling issues,” but the timing is rather odd.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese’s ‘What Happens at Night’ is His Most Personal Film, According to Francesca Scorsese: “I Burst Into Tears”

July 9, 2026 Jordan Ruimy

We’re all eagerly anticipating Martin Scorsese’s next film—any new release from the American master is a major event, and his latest may carry a level of personal significance unlike anything he has made before.

In an interview on the Zach Sang Show podcast, Francesca Scorsese says she “burst into tears” after reading the script for Martin Scorsese’s “What Happens at Night,” starring Leonardo DiCaprio and Jennifer Lawrence:

It’s about a husband and a dying wife. This one is really personal… sort of [grief] that he’s trying to explore. Because we’re kind of greiving and mourning my mom while she’s still here.

Scorsese’s wife, Helen Morris, has been living with Parkinson’s disease for over 30 years. Francesca admits reading the script, with Martin by her side, and being overcome by emotion:

And then when we finished reading it I just, like, burst into tears because I was like this is you dealing with this now.

“What Happens at Night,” starring Leonardo DiCaprio and Jennifer Lawrence, is described as a “dream-like story” involving a married American couple who travel to a small, snowy European town to adopt a baby. While staying in a nearly deserted hotel filled with enigmatic figures—a flamboyant singer, a corrupt businessman, and a magnetic faith healer—they confront a strange world that challenges both their marriage and their sense of reality.

The wife, played by Lawrence, is dying—she has advanced cancer. The couple’s trip to adopt a baby is partly driven by her wish to give her husband a child before she dies. The story uses her illness not just as a plot point, but as a way to explore love, fear, grief, marriage, and what people hold onto when facing loss.

Given Francesca’s comments and the parallels to Helen Morris’s long battle with Parkinson’s, “What Happens at Night” could be Scorsese’s most personal film—possibly his most intimate exploration of love, mortality, and grief. Other films that have been viewed as deeply personal works from Scorsese include “Mean Streets,” and “Silence,” which reflected on his lifelong spiritual questions.

Alongside DiCaprio and Lawrence, some of the actors involved in “What Happens at Night” include Mads Mikkelsen, Patricia Clarkson, Jared Harris, Louis Cancelmi, Ilinca Manolache, and Gabriel Spahiu.

The Apple-produced project is based on Peter Cameron’s novel of the same name, with the screenplay adapted by Patrick Marber (“Closer”). No release date has been announced yet, and I suspect it will be aiming for a Cannes 2027 debut.

← Florian Zeller’s ‘Bunker’ With Penélope Cruz and Javier Bardem Lands at Sony Pictures Classics Ahead of 2026 ReleaseLuca Guadagnino’s ‘Artificial’ Set to Skip Fall Festivals →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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