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Ridley Scott Says He’s Not a “Filmmaker,” He’s an “Influencer” Because He’s Always Been “Ahead of the Game”

Ah, yes — Ridley Scott must be promoting a new movie, which means lots of ridiculous quotes from the many interviews he’s doing. Here’s the latest example.

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Rebecca Ferguson and Greta Lee Filming Secret Lesbian Romance in London

Ferguson had briefly teased the movie as a romance, while Lee previously told Screen that she was “scared to do it,” explaining that it’s a romance between two women and a role she hadn’t tackled before.

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Greta Gerwig’s ‘Narnia’ Has a $280M Budget, Making It One of Netflix’s Most Expensive Movies Ever

We now have a number, courtesy of “Narnia” DP Seamus McGarvey, who, in a recent podcast appearance, casually remarked that the film had a $280M production budget.

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Meghan Markle Dropped From Guy Ritchie’s ‘The Gentlemen’ Just 24 Hours After Casting Reports

Not more than 24 hours later, Guy Ritchie’s role offer to Markle has now reportedly been withdrawn. The story goes that they don’t want her in the show anymore “after intense backlash in the U.K.”

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‘Teenage Sex and Death at Camp Miasma’ Eyes $1.9M Weekend in Wide Expansion — Post Your Review!

Now that “Camp Miasma” has reached a wider rollout, what did our readers think of the film? Does it deserve all the raves it’s been getting? I’ll give it a rewatch soon, but for now, I’m in the mixed camp.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Luca Guadagnino’s ‘Artificial’ Set to Skip Fall Festivals

July 9, 2026 Jordan Ruimy

Another update on Luca Guadagnino’s much-talked-about “Artificial,” which, according to Deadline, is expected to entirely skip the fall festivals.

According to sources, there have been “multiple A-list festivals” interested in “Artificial,” but Neon has decided that this is not the right route for the completed film.

Neon is expected to release “Artificial” this fall and has said it will mount an Oscar campaign for the film. Sources close to the movie claim that the indie studio is “bullish” on its awards prospects, believing it “should at least feature in the awards conversation.”

We recently learned that Amazon/MGM essentially sold “Artificial” to Neon for nothing, with the understanding that Neon would be responsible for covering marketing and distribution (P&A), estimated at around $20 million.

“Artificial” follows Ilya Sutskever (played by Yura Borisov), the idealistic, slightly naïve brain behind the OpenAI operation, and, of course, Sam Altman, played by Andrew Garfield, who connives his way to the top. The rest of the cast includes Monica Barbaro, Cooper Hoffman, Jason Schwartzman, Mark Rylance, and Ike Barinholtz as Elon Musk.

Quite the turnaround in buzz when it comes to this project. A year ago, when it was being shopped around to studios, Puck’s Matt Belloni reported that the project had bounced around Hollywood for months, with the script being passed on by major studios, including Warner Bros. and Paramount, and some executives calling it “dull.” Once the film was acquired by Amazon/MGM, it went over budget, required reshoots, and was eventually shipped off to Neon—for free.

Guadagnino is coming off “After the Hunt,” also produced by Amazon/MGM, which was released last fall and met with derisive reviews from critics. His previous credits include “I Am Love,” “Call Me By Your Name,” “Challengers,” “Queer,” “Bones and All,” and “Suspiria.”

If I were to place a bet, I’d put “Artificial” in November. That release window would give Neon ample runway for an awards campaign while capitalizing on late-season momentum without the need for a festival launch.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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