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‘The Odyssey’ Is Now the Biggest R-Rated Movie of All-Time — Hits $1.34 Billion

“The Odyssey” hit the $1.34 billion milestone today, making it the highest-grossing R-rated movie of all time. It has now surpassed 2024’s “Deadpool & Wolverine,” which finished with $1.33 billion worldwide.

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‘Heat 2’: Eiza González and Odessa Young in the Mix — Inde Navarrette in Smaller Role?

González is in consideration for the role of Elisa, while Young is being considered for the role of Charlene,. Navarrette would be downgraded to a much smaller role as Gabriella.

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Venice Chief Defends ‘DAU’ After Ukraine Condemns Russian Film’s Competition Slot

The condemned film is Ilya Khrzhanovsky’s “DAU,” which will compete for the Golden Lion next month. The 3h15-minute film follows the release of “DAU. Natasha,” which won the Silver Bear in Berlin in 2020.

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MPA Ratings: ‘Artificial’ Gets PG-13; ‘Madden’ and ‘Tender Loving Care’ Rated R;

The MPA has unveiled its latest batch of ratings, and a pair of high-profile titles are seemingly done with post-production work.

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‘Whalefall’ Trailer: Brian Duffield’s Whale Survival Thriller Looks Ridiculous

That first trailer for “Whalefall” was better than we had any right to expect; it was tightly edited in a way that made it intense and anxiety-inducing. But this second trailer? Yeah, it veers toward the silly.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Odyssey’ Skipping Influencers Was Fake News—Their First Reactions Will Still Beat Critics Tomorrow

July 5, 2026 Jordan Ruimy

Two weeks ago, we were being told that Universal was about to do something almost unheard of these days with Christopher Nolan’s “The Odyssey.”

The story, first pushed by The Hollywood Reporter and then repeated everywhere else, was that there would be no influencer screenings and that actual film critics would be the first to react to the movie. After years of studios letting social media hype drown out real criticism, it sounded almost too good to be true.

Turns out, it was.

Those first reactions are still going to come from the same junket crowd that’s been part of the studio marketing machine. Whether you call them influencers, creators, entertainment reporters, funkos, or whatever the latest label is, it’s the same formula we’ve seen over and over again.

The influencer-infused social media reactions will hit first, tomorrow afternoon, July 6, while most real film critics won’t even see “The Odyssey” until the night of Monday, July 13 — that’s when I’m also due to catch it. Reviews won’t be published until Wednesday, July 15, a day before the film opens with previews. So much for critics getting the first word.

Which is why that original narrative now looks pretty ridiculous. We were led to believe Universal was breaking away from the influencer-first model, when in reality they’ve just dressed it up differently. The end result is exactly the same. Expect glowing first reactions tomorrow to dominate the conversation, probably some “masterpiece” labeling, all making it sound like “The Odyssey” is the next “Lawrence of Arabia.”

As for how that original “no-influencers” story spread so quickly, I’ll let readers draw their own conclusions. The trades don’t usually stumble into narratives that happen to make a studio look great without some help along the way. Maybe it was optimistic reporting. Maybe it was clever studio messaging. Either way, the “critics first” angle clearly didn’t pan out. The marketing machine won again—it just found a different way to sell the exact same rollout.

← Antoine Fuqua and Denzel Washington’s Netflix ‘Hannibal’ Epic Is “Dead” Due to $200M Budget ConcernsQuentin Tarantino May Shoot His Final Film in Summer 2027, Says DP Robert Richardson →

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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‘Wild Horse Nine’ Reaction Hints at Major 2026 Oscar Contender

McDonagh’s last film was ‘The Banshees of Inisherin,’ released in 2022, which received nine Oscar nominations. His other works include “In Bruges,” and “Three Billboards Outside Ebbing, Missouri.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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