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Sebastian Stan Thinks ‘The Batman: Part II’ Is ‘The Godfather: Part II’

Oh, Sebastian Stan … he tells Variety that walking onto the set of "The Batman: Part II" gives him the feeling that he might be making "The Godfather: Part II." His exact words.

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Tom Six Says “Woke Is the Biggest Enemy of Art” as ‘The Onania Club' Hits 7 Years Without a Distributor

The mystery behind ‘Onania Club’ continues. Only a handful of people have seen it. Among the few who got access was John Waters, who named it one of the best films of the year.

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Paramount and California AG Set October Settlement Talks Over $111 Billion Warner Bros. Discovery Bid

The timing is interesting. The settlement talks will occur nearly a month after the $7 million-per-day ticking fee start tabulating, which puts real pressure on Paramount to get this done.

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RUMOR: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Adam Wingard on Leaving ‘Godzilla x Kong’ Sequel: “The Best Decision I've Ever Made"

Adam Wingard confirms that after the last "Godzilla" movie, he and Legendary were deep into a third one — he'd already started filling the script with Easter eggs teasing another return. And then he bailed.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Chloe Domont’s ‘A Place in Hell’ Delayed to 2027 as NEON Positions Luca Guadagnino’s ‘Artificial’ for December

July 27, 2026 Jordan Ruimy

We have one less Oscar contender this year. Neon has bumped the Chloe Domont-directed “A Place in Hell,” moving it from a Christmas Day release to April 23, 2027.

What caused the delay? Probably Luca Guadagnino’s “Artificial,” which Neon recently picked up after it was left without a distributor and is rumored to be targeting a late December release.

Back in 2023, Netflix had a chart-topping hit with Domont’s “Fair Play,” starring Alden Ehrenreich and Phoebe Dynevor. The erotic Wall Street thriller premiered at Sundance to rave reviews before being acquired by the streamer for $20 million.

Domont’s latest, “A Place in Hell,” stars Michelle Williams, Andrew Scott, and Daisy Edgar-Jones. It was originally positioned for a potential awards-season run with its Christmas Day release. Not anymore.

It certainly doesn’t help that Scott is currently flooded with advanced Oscar buzz for his lead turn in Simon Stone’s “Elsinore,” set to premiere at a number of fall festivals.

Described as a thriller, “A Place in Hell” has been testing very well. The consensus? Michelle Williams steals the show with a fiery, fully villainous performance, playing a protagonist who pushes the audience’s sympathy to its limits. The film’s tone is said to blend “Gone Girl” and “Nightcrawler,” leaning into dark, morally ambiguous territory. Daisy Edgar-Jones also delivers a standout performance, particularly in one intense scene with Williams that is both unsettling and memorable.

Synopsis: “A cutthroat criminal defense attorney (Williams), on the verge of making partner, sees her ambitions upended when a younger lawyer (Edgar-Jones) is brought in to replace her. As rivalry escalates into a battle for control, the two women push one another to dangerous extremes.”

Neon, which primarily acquires films at prestige festivals, has only a handful of self-financed titles slated for theatrical release this year. Domont’s film was acquired shortly after production wrapped. Excluding its Sundance and Cannes acquisitions, Neon also has Guadagnino’s “Artificial,” Chloe Okuno’s “Brides,” and Osgood Perkins’ “The Young People,” all currently expected to hit theaters in fall 2026.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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