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Samara Weaving Joins Olivia Wilde's ‘Naughty' Alongside Jennifer Aniston, Peter Dinklage, Regina Hall, & More

Olivia Wilde, coming off great reviews for "The Invite," is shooting her next film, a holiday comedy titled "Naughty," which already had Jennifer Aniston and Peter Dinklage attached as the two main leads.

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‘Wildwood’ Is a $100M+ Stop-Motion Triumph, Oscar Frontrunner — and It's About to Be One of the Biggest Bombs of the Year

A PG-13, 132-minute stop-motion epic that cost $100M+ opens this weekend, with glowing reviews to boot, and almost nobody cares.

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‘Clayface' Gets Mixed Reviews, 59 on Metacritic — Tracking at Soft $18M–$20M Opening

Reviews are not as ideal as expected, but the silver lining for DC Studios is that, at $44M, “Clayface” doesn't need to be a blockbuster hit to avoid break even point.

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‘Cliff Booth': Netflix Releases 8 New Images, But Still No Poster, or Robust Trailer

This latest batch of images makes it all the more baffling that, with the film barely five weeks from release, we still don't have an official poster, nor have we gotten a full-course trailer.

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‘Ali G: Who Iz I?' Gets One-Weekend Theatrical Release as Amazon/MGM Shrinks Rollout

It sounds like Amazon/MGM has decided to cut the rollout of "Ali G: Who Iz I?," Sacha Baron Cohen's latest prank-filled improv comedy, even shorter. The film hits theaters this weekend, by the way.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Supergirl’ Hits Digital Next Tuesday, Only Four Weeks Since Release

July 23, 2026 Jordan Ruimy

“Supergirl” has grossed $70M domestically and $120M worldwide against a budget reported to be anywhere between $170M and $186M. It’s turned into a problem for James Gunn’s DCU — Warner Bros.’ losses could hit as high as $200M.

It now looks like “Supergirl” will hit VOD next Tuesday, July 28 — around 30 days after its theatrical release. This one has quickly faded from public discussion with surprising speed.

This rapid transition to digital release is rather symbolic of its disappointing theatrical run. Who are we kidding? This film bombed at the box office. Its biggest problem wasn’t even widespread hatred, but cultural irrelevance: it arrived, received a mostly lukewarm response, nobody cared, and we all moved on.

The only scene people seem to remember is that horrible needle-drop near the climax, with virtually no memes, iconic clips, or viral moments circulating online. There’s been total indifference toward this film. It’s not even divisive — just, really, nothing.

Maybe it’s because the film was simply “okay”? That’s not good enough nowadays for a superhero movie to make big bucks. And it’s not like the source material lacked potential. Tom King’s “Supergirl: Woman of Tomorrow” is a rather acclaimed work.

What we got instead was a semi-enjoyable film: watchable, fun in places, nothing more, nothing less. The villain was forgettable, the visuals were somewhat muted, and there was a lack of standout moments.

So, why did the film fail? Sure, there’s the quality aspect, but also, was there even demand for a Supergirl movie in the first place? At a time when more and more people look at Rotten Tomatoes as their final deciding factor for which movie to spend their hard-earned money on, a 53% RT score is a major red flag. Audiences are becoming less tolerant of mediocre entries, let alone one that already has an uphill battle compared to brands like Batman, Spider-Man, Deadpool, or the Avengers.

It was arguably insane for James Gunn to greenlight a near-$200M production like this — which really speaks to the self-aggrandizing confidence he seems to have. This will hopefully be a humbling moment for him as the DCU continues on.

← Venice Film Festival Chief on One Female Director in Competition: “She’s the Only One We Found of Adequate Quality”Darren Aronofsky Wants $15M to Build an AI-Powered Film Studio →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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