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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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Elliot Page Has Not Gotten Any Acting Offers Since ‘The Odyssey’: “If Someone Wants to Call Me ..."

When asked if “The Odyssey” had led to “getting a zillion calls” for new roles, the Oscar nominee revealed that work has been slow, despite now being able to “do some of my best work.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kevin Feige Says Marvel Has MCU Movies Planned Until 2042!

July 22, 2026 Jordan Ruimy

We know there’s superhero fatigue—or at least declining interest in the comic book genre this decade—but, depending on the character, these movies can still make boatloads of money. Just look at the presales for “Avengers: Endgame.”

That said, Marvel and its chief orchestrator, Kevin Feige, aren’t putting their mitts down and surrendering. As long as powerhouse IP like Deadpool, the Avengers, Thor, Spider-Man, Black Panther, and the X-Men continue to drive ticket sales, these movies aren’t going extinct anytime soon.

Case in point: Feige was doing press in Shanghai when he revealed that Marvel isn’t just planning for this decade or the next—he’s already mapped out the MCU through 2042:

Our plan is… I haven’t told anyone this before […] We were just in a Marvel Studios meeting room, planning movies all the way up to 2042. Whether we can make it to 2042? Who knows? Will it be those movies? Who knows? But this is how we approach and plan the vast amount of potential stories in the comics.

Just think about how insane that is. The sheer confidence that your franchise will still be relevant in 2042.

Meanwhile, James Gunn’s DCU is already under pressure after its first box office flop, “Supergirl,” with the franchise’s future now seemingly hinging on the performance of every new release.

Kevin Feige has earned his reputation as one of Hollywood’s most reliable hitmakers. Whenever the MCU has stumbled this decade, he’s responded with a major success. “Ant-Man and the Wasp: Quantumania” was followed by “Guardians of the Galaxy Vol. 3.” “The Marvels” gave way to “Deadpool & Wolverine.” Now, after “The Fantastic Four,” all eyes are on “Spider-Man: Brand New Day” to continue that pattern.

Next up are two “Avengers” films back-to-back, with “Black Panther 3” expected to follow soon after. The MCU isn’t going anywhere. Whether it’ll still be as dominant in 2042 remains to be seen, but Feige’s long-term ambition and confidence are unlike anything else in modern Hollywood.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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