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Paul Schrader’s ‘The Basics of Philosophy’ Is a Hollow, Lifeless Misfire [Venice]

It gives me no pleasure to report that this is one of the worst films of Schrader’s career. Wooden acting, Jack Huston and Sofia Boutella are badly miscast, the script is dull, the photography is flat; nothing works.

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Michael Keaton and Morgan Freeman Western ‘Rode to Ruin’ Lands at Angel Studios for 2027 Release

The movie, due to release in 2027, is described as “a haunting Western thriller that follows a retired U.S. Marshal whose forty-year search for his wife’s killer leads him to an outlaw losing his memory.

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‘Alpha Gang’ First Look: Cate Blanchett Leads the Zellners’ Bizarre 1950s Alien Biker Gang

Alongside Blanchett, the film features a wildly eclectic ensemble including Dave Bautista, Lily-Rose Depp, Riley Keough, Léa Seydoux, Kelvin Harrison Jr. and Chris Pine

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‘Dungeons & Dragons 2’ Is Being Shopped to Other Studios After Paramount Passed on the Sequel

The film grossed only $205M against a $150M budget, losing Paramount a significant amount of money. It did, however, gain a decent following on streaming, but the financial risk for a sequel is ever-present.

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Did Danny Boyle’s ‘Ink’ Use AI to Recreate Margaret Thatcher?

Thatcher shows up on-screen for, at most, 10 seconds. She looks remarkably like Thatcher and comes off as almost too polished, non-human like. Further clues are pointing at AI.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Vulture Ranks Hollywood’s 100 Most Powerful Directors: Nolan Leads Coogler, Villeneuve, Gerwig and Tarantino

July 21, 2026 Jordan Ruimy

A report from Puck’s Matt Belloni argues that although directors have not fully replaced IP as Hollywood’s most valuable asset, they are increasingly becoming the industry’s biggest audience draws. With actors less distinctive as brands in the social media era, directors like Christopher Nolan, James Cameron, Ryan Coogler, Greta Gerwig, and Denis Villeneuve have become powerful markers of quality and box-office potential. Nolan’s “The Odyssey” success—his biggest global opening to date—illustrates the growing power of filmmaker-driven events.

A few hours after Belloni’s report, Vulture ranked the 100 most powerful directors in Hollywood, arguing that filmmakers have regained influence after a decade dominated by franchise and cinematic universes. Their argument is that as audiences become increasingly director-conscious—thanks to platforms like Letterboxd, Reddit, and YouTube—filmmakers such as Greta Gerwig, Denis Villeneuve, and Ryan Coogler have become brands in their own right.

Industry insiders are telling Vulture that Hollywood is shifting back toward an auteur-driven model reminiscent of the 1970s, when directors like Francis Ford Coppola and Martin Scorsese wielded enormous creative and commercial clout.

To compile the rankings, Vulture consulted agents, executives, producers, publicists, and journalists, ultimately judging directors on six key criteria: the consistency of their body of work, commercial bankability, creative control over their films, prestige within the industry, overall reputation among audiences and peers, and future potential.

Only filmmakers actively working within the Hollywood system were considered, excluding international auteurs without major Hollywood projects and directors now primarily focused on television.

Of course, given all the white faces that made it, Vulture acknowledged that the rankings were not theirs, and reflected Hollywood’s existing power structure, which remains disproportionately “white and male,” while noting that women and filmmakers of color still face higher barriers to reaching comparable levels of influence.

No surprise, Christopher Nolan lands at #1 — few, if any, directors in Hollywood command the kind of power, trust, and audience loyalty he has built. Ryan Coogler takes the No. 2 spot, coming off the momentum of “Sinners,” “Creed,” and two “Black Panther” films. Denis Villeneuve ranks third, though his recent success has largely come through major IP projects (“Dune” and the upcoming “Bond”), meaning his ability to drive original material remains less tested.

Greta Gerwig lands at No. 4, a ranking fueled almost entirely by the cultural and commercial phenomenon of “Barbie” — arguably a placement that feels a little high. Quentin Tarantino rounds out the top five despite not releasing a film in more than seven years; still, there’s enduring power to his brand.

James Cameron, who has spent much of the last 25 years focused almost exclusively on the “Avatar” franchise, still ranks sixth thanks to his unparalleled blockbuster track record. Steven Spielberg follows closely behind, with Martin Scorsese next.

Speaking of Scorsese, yes, he’s never been much of a box-office draw, but “Shutter Island” and The Wolf of Wall Street were big hits. Very few filmmakers could have gotten “Killers of the Flower Moon,” a slow-burn 3.5-hour epic, to open with $23M, regardless of its extravagant budget.

More … Robert Eggers being in 33rd place is not the correct placement. I believe his fanbase has grown significantly since “Nosferatu,” and after “Werwulf” is released on Christmas, more people in Hollywood will recognize the influence and power he has to drive his films to success.

  • 1. Christopher Nolan

  • 2. Ryan Coogler

  • 3. Denis Villeneuve

  • 4. Greta Gerwig

  • 5. Quentin Tarantino

  • 6. James Cameron

  • 7. Steven Spielberg

  • 8. Martin Scorsese

  • 9. Jordan Peele

  • 10. Paul Thomas Anderson

  • 11. Phil Lord & Christopher Miller

  • 12. Rian Johnson

  • 13. David Fincher

  • 14. Alejandro González Iñárritu

  • 15. Bong Joon Ho

  • 16. Guillermo del Toro

  • 17. Zach Cregger

  • 18. Emerald Fennell

  • 19. James Gunn

  • 20. James Mangold

  • 21. Sam Mendes

  • 22. Danny Boyle

  • 23. J.J. Abrams

  • 24. Baz Luhrmann

  • 25. Ridley Scott

  • 26. Alfonso Cuarón

  • 27. Peter Jackson

  • 28. Curry Barker

  • 29. Kane Parsons

  • 30. Josh Safdie

  • 31. Daniel Kwan & Daniel Scheinert

  • 32. Robert Eggers

  • 33. Joel & Ethan Coen

  • 34. Wes Anderson

  • 35. Michael Mann

  • 36. Shawn Levy

  • 37. Jon M. Chu

  • 38. Matt Reeves

  • 39. Anthony & Joe Russo

  • 40. Jon Favreau

  • 41. Christopher McQuarrie

  • 42. Joseph Kosinski

  • 43. Pete Docter

  • 44. Andrew Stanton

  • 45. Brad Bird

  • 46. Chloé Zhao

  • 47. Yorgos Lanthimos

  • 48. Ben Affleck

  • 49. Bradley Cooper

  • 50. Kenneth Branagh

  • 51. Adam McKay

  • 52. Martin McDonagh

  • 53. Steven Soderbergh

  • 54. Damien Chazelle

  • 55. Taika Waititi

  • 56. Alex Garland

  • 57. Paul Feig

  • 58. Antoine Fuqua

  • 59. Paul King

  • 60. Gina Prince-Bythewood

  • 61. John Krasinski

  • 62. Sam Raimi

  • 63. Michael B. Jordan

  • 64. Tyler Perry

  • 65. M. Night Shyamalan

  • 66. James Wan

  • 67. Chad Stahelski

  • 68. David Leitch

  • 69. Francis Lawrence

  • 70. Matt Bettinelli-Olpin & Tyler Gillett

  • 71. Adam Wingard

  • 72. Dan Trachtenberg

  • 73. Jared Hess

  • 74. Gareth Edwards

  • 75. Scott Derrickson

  • 76. Parker Finn

  • 77. Danny & Michael Philippou

  • 78. Osgood Perkins

  • 79. Tim Burton

  • 80. Kathryn Bigelow

  • 81. Judd Apatow

  • 82. Edgar Wright

  • 83. Ang Lee

  • 84. Spike Lee

  • 85. Barry Jenkins

  • 86. Sean Baker

  • 87. Celine Song

  • 88. Richard Linklater

  • 89. Luca Guadagnino

  • 90. Ari Aster

  • 91. Benny Safdie

  • 92. Olivia Wilde

  • 93. Edward Berger

  • 94. Nia DaCosta

  • 95. Michael Bay

  • 96. Zack Snyder

  • 97. Guy Ritchie

  • 98. Todd Phillips

  • 99. Maggie Gyllenhaal

  • 100. David O. Russell

← Nolan’s ‘The Odyssey’ Scores 2026’s Biggest Monday With $18M+First Look: Mike Leigh’s New Film Is Titled ‘Tender Loving Care,’ Set for Venice, Telluride, TIFF and NYFF →

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