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‘Wildwood’ Gets PG-13 Rating as LAIKA’s 140-Minute Stop-Motion Epic Targets Older Audiences

The exact details of the MPA’s rating for “Wildwood” are as follows: Rated PG-13 for “strong fantasy violence/bloody images, thematic material, suicide related material, brief partial nudity and language.”

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‘Priscilla, Queen of the Desert’ Sequel Is Happening, Guy Pearce Says: “We’ll Probably Shoot It in 2027”

Speaking of sequels—the unusual kind, which are always the best kind—here’s a major update on one that’s been brewing since the pandemic.

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‘Practical Magic 2’ Tracking $45M+ Opening, the Latest Sign of Hollywood’s ’90s/‘00s Nostalgia Boom

The sequel looks like a vehicle to reunite Kidman and Bullock. Moviegoers are responding. This might turn out to be Warner Bros.’ biggest hit of the year—until “Dune 3”—and will easily outpace “Supergirl.”

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David Fincher’s ‘Cliff Booth’ Will Get an IMAX-Only Release From Netflix, Playing in Just 350 U.S. Theaters

The latest on “The Further Mis-Adventures of Cliff Booth,” starring Brad Pitt, written by Quentin Tarantino, and directed by David Fincher, is that it’s getting an unusually restricted theatrical release.

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‘Coyote vs. Acme’ Opens to OK $15M as ‘The Dog Stars’ Bombs With $8M at the Box Office

“Coyote vs. Acme,” came very close to never getting released, yet, it almost doubled the weekend box office of Ridley Scott’s much-pricier “The Dog Stars.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix Says 300 Movies and Shows Have Used Generative AI, Raising Questions About the “Netflix Look”

July 16, 2026 Jordan Ruimy

Here’s something that should surprise absolutely nobody: Netflix has revealed that roughly 300 titles on its platform have used generative AI.

In its second-quarter earnings report, the company said it is increasingly using AI tools to create higher-quality content faster and at a lower cost. Netflix cited AI being used for complex sequences such as enhanced crowds, historical battles, and worldbuilding shots. In fact, the technology’s usage expands across every level of the production process, from its concept and pre-visualization to post-production and release

The streaming giant has been expanding its AI ambitions as the technology advances, including acquiring Ben Affleck’s AI startup and launching an AI-focused animation studio.

Netflix co-CEO Ted Sarandos has said the company used the technology because it was more efficient and affordable. The fact that more than 300 titles have used AI means it surely includes some notable filmmakers, many of whom will likely remain anonymous — they probably don’t want to get dragged into the conversation. I get it.

“It enabled us to expand the scope of the series in ways that wouldn’t have been feasible before,” Sarandos said on the call, citing the upcoming series “The American Experiment as an example. “Those 17 minutes, they were produced twice as fast and at half the cost of previous options. By equipping creatives with these tools, we believe it is going to enhance their abilities and have better and more impact for every dollar we spend on our programming.”

“Keep in mind that in many of the cases, productions would’ve left out those key shots because they wouldn’t have been able to afford them, they wouldn’t have been able to do them in the time frames that they’re working on,” Sarandos elaborated. “So those sequences are saved by the availability and access to the Gen-AI tools.”

Listen, for a few years now, we’ve talked about some of the streamer’s movies having that “Netflix look” — a visual style that we have come to associate with certain Netflix films. How do you describe it? Very clean images, smooth motion, bright and even lighting, and heavy color grading.

The visual effects also tend to appear overly polished or artificial, sometimes lacking the texture and imperfections associated with theatrical releases. I’ve always suspected that AI might have been used to help achieve this slick look. Now, Sarandos did not mention any specifics during today’s earnings report, but is it such a stretch to theorize that some of the polished digital appearance we see in many Netflix movies may have been a result of AI-enhancement?

← Matt Damon Says the Next ‘Bourne’ Movie Is Finally Taking Shape With Director Edward Berger‘Tony’: Matt Johnson’s Anthony Bourdain Movie From A24 Draws Positive Early Reactions →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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