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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24’s ‘Death Stranding’ “Not Very Violent,” Director Michael Sarnoski Confirms; Plans 2027 Shoot

June 20, 2026 Jordan Ruimy

Michael Sarnoski has “The Death of Robin Hood” in theaters this weekend. The director of “Pig” and “A Quiet Place: Day One” has received his first taste of mixed reviews, as “Robin Hood” sits at 58 on Metacritic.

Up next for Sarnoski is his A24 adaptation of Hideo Kojima’s “Death Stranding,” but he’s already warning fans that his take on the popular game will not be as gory or dark as some might expect — is A24 aiming for PG-13?

Speaking with GamesRadar, he said:

I wouldn’t say the script is very violent. There’s definitely a lot of, like, action and excitement to it. There’s some violence to it. I mean, Death Stranding is a brutal world…and it’s a world also where it feels like death is just around the corner.

So there needs to be that sort of visceral sense of, ‘oh, this could be it.’ It’s [a] sort of bleak and barren post-apocalyptic environment. So there is violence and action to it, but the role of violence is very different from this one. [The Death of Robin Hood] is a movie that kind of questions violence.

In Death Stranding, the sort of violence and action is about exploration and about understanding the world more deeply. So there will be some, but you’re not gonna see a lot of jaws getting ripped off in Death Stranding.

Much like what Zach Cregger is doing with “Resident Evil,” Sarnoski is making a standalone story, separate from the games but set in the same world.

Sarnoski, who is only 31, confirms he recently turned in a second draft of the script and hopes to shoot it in Iceland and Northern Ireland next year.

The game featured an all-star cast including Mads Mikkelsen, Léa Seydoux, Margaret Qualley, and Elle Fanning, along with filmmakers like George Miller, Fatih Akin, Guillermo del Toro, and Nicolas Winding Refn. Will this cast return for the movie adaptation?

The game “delves into the mysteries surrounding the ‘Death Stranding’ — a catastrophic series of events that blurred the boundaries between the worlds of the living and the dead, bringing forth nightmarish creatures into a fragmented world on the brink of collapse.”

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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