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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Steven Spielberg Says He Would Never Make a Netflix Movie: “I’m a Moviemaker Who Believes in 70mm Theatrical”

June 15, 2026 Jordan Ruimy

There’s certainly no love lost between Steven Spielberg and Netflix. Back in 2018, he went so far as to say that Netflix movies should contend for Emmys, not Oscars, arguing that a brief theatrical run used only to satisfy Oscar eligibility rules was not enough to make a film a true theatrical release.

Now, in an interview with ITV News, Spielberg point-blank states that he would never make a Netflix movie unless he were “someone who made movies intended to be sent out as little cassettes or little DVDs to individuals.”

I am a moviemaker who believes in big motion picture, 70mm theatrical experiences.

His stance has to do with the energy of a “filled up theater”—where strangers laugh or scream in unison—which he believes is a fundamental part of the cinematic experience that cannot be replicated when watching a movie at home.

Spielberg notes that if he were to create content for Netflix, he would know it is “only going to be seen by millions of people on their home screens,” which contradicts his primary goal of making movies for “big venues.”

Unlike their competitors, Apple and Amazon, which have given many of their films robust wide theatrical rollouts, Netflix refuses to embrace that model. The streamer typically gives only a handful of its Oscar-contending releases limited theatrical runs—often for just a week—and that’s it. They recently made an exception for Greta Gerwig’s “Narnia,” which will receive a 45-day theatrical rollout. However, only a few weeks after that was announced, Netflix film chief Dan Lin made it clear that the company would not be working with filmmakers who insist on theatrical releases in the future.

Yet Netflix has also managed to finance passion projects from the likes of Baumbach, Fincher, Scorsese, Coen, Campion, Cuarón, Haynes, Del Toro, and many others. Would some of these films have even existed without Netflix?

It’s food for thought, but Spielberg won’t be joining any of these filmmakers anytime soon. He remains steadfast in his beliefs and will continue making films that are meant to be seen on the big screen.

← Anya Taylor-Joy Confirmed to Star in ‘The Hunt For Gollum’Duffer Brothers’ Mysterious Film at Paramount Gets November 2028 Release Date →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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