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James Gunn Is Already Writing His Next DC Movie — It Might Be ‘Superman 3’

The man doesn't stop. James Gunn has confirmed he's already hard at work writing his next film, even as ‘Man of Tomorrow’ makes its way toward theaters next summer.

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Michael Mann’s ‘Miami Vice' Director's Final Cut Divides Fest Audiences With Polarizing New Ending

Mann brought his new "Director's Final Cut" to Beyond Fest in L.A. last night. Mann stayed for a Q&A afterward. Suffice it to say, the cut certainly has people talking, and mostly not in a good way.

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‘Digger' Bombs With $8M; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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Stephen Colbert's ‘Lord of the Rings' Movie Paused by David Ellison After Paramount–Warner Bros. Merger

Bad news, Stephen. Your archnemesis has struck again. Ellison has hit pause on Colbert's LOTR movie. The film was originally rumored to begin shooting shortly after ‘The Hunt for Gollum.’

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‘A Statement’ First Reviews: Tom McCarthy’s Return After ‘Stillwater’ Gets a Mixed Reception

“A Statement” stars Paul Rudd, Paul Giamatti, Amy Ryan, John Turturro, Jason Clarke, Dylan Baker, and Tatiana Maslany. The film marks the return of Tom McCarthy, a filmmaker we haven’t heard from in a while.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sandra Wollner’s ‘Everytime’ Takes Un Certain Regard Top Prize at Cannes 2026 — and It Was the Best Film

May 22, 2026 Jordan Ruimy

tried really hard this year to watch as many films from this section as I could. In total, I saw 13 of the 18 films competing in Un Certain Regard this year.

Just to briefly note: the Un Certain Regard section of the Cannes Film Festival is no longer simply a “near miss” category for films that didn’t make the main competition — which is what its reputation was pre-Covid. Its current goal is to showcase younger filmmakers who have only made one or two films and may sit outside the prestige and scale of the Palme d’Or race. Many of them end up “graduating” to the main competition with their next films.

For once — and this does not happen many times — this year’s UCR jury actually awarded its top prize to the most deserving film.

Sandra Wollner’s “Everytime,” a surreal tale of grief told through a tragedy uniting a mother, daughter, and teenage boy, was the big winner. The first 10 minutes are stunning, and the final stretch is the best of any film I saw at Cannes this year — Wollner blurs past and present to the point where you no longer know what’s real and what isn’t.

It should be noted that the two acclaimed American entries in UCR were shut out: Jordan Firstman’s directorial debut “Club Kid,” which was acquired for a reported $17M by A24, and Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma” were ignored by the jury.

Other winners included Abinash Bikram Shah’s “Elephants in the Fog” and Louis Clichy’s “Iron Boy,” a hand-painted animated feature acquired by Sony Pictures Classics.

The UCR jury also recognized the all-female trio in Valentina Maurel’s “Forever Your Maternal Animal” — Daniela Marín Navarro, Marina de Tavira, and Mariangel Villegas — as well as Bradley Fiomona Dembeasset’s performance in Rafiki Fariala’s “Congo Boy.”

Full list of winners:

Prix Un Certain Regard: “Everytime,” by Sandra Wollner

Jury Prize: “Elephants in the Fog,” by Abinash Bikram Shah

Special Jury Prize: “Iron Boy,” directed by Louis Clichy

Best Actress: Daniela Marín Navarro, Marina de Tavira and Mariangel Villegas for “Forever Your Maternal Animal”

Best Actor: Bradley Fiomona Dembeasset for “Congo Boy” 

← Nicolas Winding Refn’s ‘Maniac Cop’ Remake to Receive Wide Theatrical Release via MUBI — Starts Shooting in JanuarySteven Knight Says He’s Been Writing the New James Bond for 10 Months While Consulting “Real-Life Spies” and “More Secret Outfits” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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