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‘Michael 2’ Will Explore Child Abuse Allegations From Michael Jackson’s “Point of View,” Jaafar Jackson Says

I don’t know about you, but I’m kind of looking forward to the “Michael” sequel. Whether Vantoine directs it or John Logan, it doesn’t matter—it’s an inevitable sh*tshow that will result from its making and release.

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Kathryn Bigelow’s ‘Strange Days’ Finally Getting 4K Physical Release

Kathryn Bigelow’s “Strange Days” has remained largely unavailable on physical media, with only an old DVD edition to its name, but Disney is finally set to release the film on 4K Blu-ray.

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Netflix Pushes Greg Kwedar’s ‘Saturn Return’ to 2027

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Charles Melton to Star in Destin Daniel Cretton’s ‘Naruto’ Live-Action Movie

Cretton, who is directing “Naruto,” also has a “Shang-Chi” sequel in development. After dropping out of “Avengers: Kang Dynasty,” he was hired to direct “Spider-Man: Brand New Day.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sandra Wollner’s ‘Everytime’ Takes Un Certain Regard Top Prize at Cannes 2026 — and It Was the Best Film

May 22, 2026 Jordan Ruimy

tried really hard this year to watch as many films from this section as I could. In total, I saw 13 of the 18 films competing in Un Certain Regard this year.

Just to briefly note: the Un Certain Regard section of the Cannes Film Festival is no longer simply a “near miss” category for films that didn’t make the main competition — which is what its reputation was pre-Covid. Its current goal is to showcase younger filmmakers who have only made one or two films and may sit outside the prestige and scale of the Palme d’Or race. Many of them end up “graduating” to the main competition with their next films.

For once — and this does not happen many times — this year’s UCR jury actually awarded its top prize to the most deserving film.

Sandra Wollner’s “Everytime,” a surreal tale of grief told through a tragedy uniting a mother, daughter, and teenage boy, was the big winner. The first 10 minutes are stunning, and the final stretch is the best of any film I saw at Cannes this year — Wollner blurs past and present to the point where you no longer know what’s real and what isn’t.

It should be noted that the two acclaimed American entries in UCR were shut out: Jordan Firstman’s directorial debut “Club Kid,” which was acquired for a reported $17M by A24, and Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma” were ignored by the jury.

Other winners included Abinash Bikram Shah’s “Elephants in the Fog” and Louis Clichy’s “Iron Boy,” a hand-painted animated feature acquired by Sony Pictures Classics.

The UCR jury also recognized the all-female trio in Valentina Maurel’s “Forever Your Maternal Animal” — Daniela Marín Navarro, Marina de Tavira, and Mariangel Villegas — as well as Bradley Fiomona Dembeasset’s performance in Rafiki Fariala’s “Congo Boy.”

Full list of winners:

Prix Un Certain Regard: “Everytime,” by Sandra Wollner

Jury Prize: “Elephants in the Fog,” by Abinash Bikram Shah

Special Jury Prize: “Iron Boy,” directed by Louis Clichy

Best Actress: Daniela Marín Navarro, Marina de Tavira and Mariangel Villegas for “Forever Your Maternal Animal”

Best Actor: Bradley Fiomona Dembeasset for “Congo Boy” 

← Nicolas Winding Refn’s ‘Maniac Cop’ Remake to Receive Wide Theatrical Release via MUBI — Starts Shooting in JanuarySteven Knight Says He’s Been Writing the New James Bond for 10 Months While Consulting “Real-Life Spies” and “More Secret Outfits” →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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