So, after “The Black Ball (“La Bola Negra”) received a 16-minute standing ovation at Cannes, Javier Ambrossi and Javier Calvo’s ambitious epic has sparked a multi-studio bidding war for U.S. rights. Among the bidders are A24, Mubi and Netflix.
The film is actually not doing that well on the critics grids. It’s at 2.1 on the Screen Jury Grid, 2.05 on ICS, 1.2 on Moiree and 2.1 on Cahiers du Cinéma — however, it’s at 86 on Metacritic (based on 7 reviews), but something tells me that score will go down.
“The Black Ball” is an ambitious but wildly uneven 2.5-hour Spanish drama blending historical fiction, queer melodrama, and meta-literary adaptation. With no clear Best Picture contender at Cannes this year, the US press—especially Oscar-minded journalists—tended to bestow that status on the film on the second-to-last day of the festival.