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Adèle Exarchopoulos Joins Zoë Kravitz in Megan Park’s ‘Die Alive’ for Apple

Exarchopoulos will of course forever be known for her lead turn opposite Léa Seydoux in Abdellatif Kechiche’s Palme d’Or winner “Blue Is the Warmest Color,” released in 2013.

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‘The Odyssey’ Is Now the Biggest R-Rated Movie of All-Time — Hits $1.34 Billion

“The Odyssey” hit the $1.34 billion milestone today, making it the highest-grossing R-rated movie of all time. It has now surpassed 2024’s “Deadpool & Wolverine,” which finished with $1.33 billion worldwide.

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‘Heat 2’: Eiza González and Odessa Young in the Mix — Inde Navarrette in Smaller Role?

González is in consideration for the role of Elisa, while Young is being considered for the role of Charlene,. Navarrette would be downgraded to a much smaller role as Gabriella.

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Venice Chief Defends ‘DAU’ After Ukraine Condemns Russian Film’s Competition Slot

The condemned film is Ilya Khrzhanovsky’s “DAU,” which will compete for the Golden Lion next month. The 3h15-minute film follows the release of “DAU. Natasha,” which won the Silver Bear in Berlin in 2020.

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MPA Ratings: ‘Artificial’ Gets PG-13; ‘Madden’ and ‘Tender Loving Care’ Rated R;

The MPA has unveiled its latest batch of ratings, and a pair of high-profile titles are seemingly done with post-production work.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Maika Monroe Goes Full Psycho in Zachary Wigon’s Ultra-Violent ‘Victorian Psycho’ [Cannes]

May 21, 2026 Jordan Ruimy

Here’s the trailer for Victorian Psycho by Zachary Wigon.

I actually just got out of the Cannes screening. It’s part of this year’s Un Certain Regard sidebar, but it probably would have been a better fit for Midnight. This is an over-the-top, ultra-violent, preposterous film.

Reviews are positive: IndieWire (B), Screen, Next Best Picture (8/10), The Wrap, and The Film Stage all have kind words to say.

Wigon, who directed the indie chamber piece “Sanctuary,” originally had “Victorian Psycho” set up at A24, but the indie studio later dropped the film, which eventually landed at  Bleecker Street.

Set in Victorian England, the story follows an eccentric governess who arrives at a remote Gothic manor, only to stir suspicion that she is not quite what she seems. Maika Monroe stars in the lead role, replacing Margaret Qualley, who suddenly bowed out due to a scheduling conflict. The cast also includes Jason Isaacs as the patriarch and Thomasin McKenzie as the daughter. The screenplay is adapted from the novel by Virginia Feito, who also penned the adaptation.

Monroe is completely unhinged here. I don’t think there’s any other way to describe her performance. She plays a woman who is absolutely turned on by blood. Beware of anyone who describes herself as “the sanest person I’ve ever met.” She goes to 11 with her acting. No subtlety whatsoever.

The visual style is also outlandish. The humor ranges from absurd visual gags to gooey violence. There are tilted frames, upside-down shots, and restless camera movements — all of which are meant to represent her psyche. This is basically a Victorian version of “American Psycho,” and right before the screening, Cannes chief Thierry Frémaux mentioned that Brian De Palma had emailed him, proud that the film was being screened at Cannes — I can see his influence here as well.

Monroe has turned into a sort of scream queen, building a considerable filmography of frighteners, including Longlegs, It Follows, Watcher, and The Guest. She is set to shoot an It Follows sequel this summer.

← A24 and Dev Patel’s ‘The Peasant’ Wraps Production in India — A ‘John Wick’ Meets ‘Braveheart’ Action EpicRami Malek Gives Career-Best Performance in Ira Sachs’ ‘The Man I Love’ [Cannes] →

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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‘Wild Horse Nine’ Reaction Hints at Major 2026 Oscar Contender

McDonagh’s last film was ‘The Banshees of Inisherin,’ released in 2022, which received nine Oscar nominations. His other works include “In Bruges,” and “Three Billboards Outside Ebbing, Missouri.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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