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James Gunn Is Already Writing His Next DC Movie — It Might Be ‘Superman 3’

The man doesn't stop. James Gunn has confirmed he's already hard at work writing his next film, even as ‘Man of Tomorrow’ makes its way toward theaters next summer.

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Michael Mann’s ‘Miami Vice' Director's Final Cut Divides Fest Audiences With Polarizing New Ending

Mann brought his new "Director's Final Cut" to Beyond Fest in L.A. last night. Mann stayed for a Q&A afterward. Suffice it to say, the cut certainly has people talking, and mostly not in a good way.

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‘Digger' Bombs With $8M; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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Stephen Colbert's ‘Lord of the Rings' Movie Paused by David Ellison After Paramount–Warner Bros. Merger

Bad news, Stephen. Your archnemesis has struck again. Ellison has hit pause on Colbert's LOTR movie. The film was originally rumored to begin shooting shortly after ‘The Hunt for Gollum.’

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‘A Statement’ First Reviews: Tom McCarthy’s Return After ‘Stillwater’ Gets a Mixed Reception

“A Statement” stars Paul Rudd, Paul Giamatti, Amy Ryan, John Turturro, Jason Clarke, Dylan Baker, and Tatiana Maslany. The film marks the return of Tom McCarthy, a filmmaker we haven’t heard from in a while.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Maika Monroe Goes Full Psycho in Zachary Wigon’s Ultra-Violent ‘Victorian Psycho’ [Cannes]

May 21, 2026 Jordan Ruimy

Here’s the trailer for Victorian Psycho by Zachary Wigon.

I actually just got out of the Cannes screening. It’s part of this year’s Un Certain Regard sidebar, but it probably would have been a better fit for Midnight. This is an over-the-top, ultra-violent, preposterous film.

Reviews are positive: IndieWire (B), Screen, Next Best Picture (8/10), The Wrap, and The Film Stage all have kind words to say.

Wigon, who directed the indie chamber piece “Sanctuary,” originally had “Victorian Psycho” set up at A24, but the indie studio later dropped the film, which eventually landed at  Bleecker Street.

Set in Victorian England, the story follows an eccentric governess who arrives at a remote Gothic manor, only to stir suspicion that she is not quite what she seems. Maika Monroe stars in the lead role, replacing Margaret Qualley, who suddenly bowed out due to a scheduling conflict. The cast also includes Jason Isaacs as the patriarch and Thomasin McKenzie as the daughter. The screenplay is adapted from the novel by Virginia Feito, who also penned the adaptation.

Monroe is completely unhinged here. I don’t think there’s any other way to describe her performance. She plays a woman who is absolutely turned on by blood. Beware of anyone who describes herself as “the sanest person I’ve ever met.” She goes to 11 with her acting. No subtlety whatsoever.

The visual style is also outlandish. The humor ranges from absurd visual gags to gooey violence. There are tilted frames, upside-down shots, and restless camera movements — all of which are meant to represent her psyche. This is basically a Victorian version of “American Psycho,” and right before the screening, Cannes chief Thierry Frémaux mentioned that Brian De Palma had emailed him, proud that the film was being screened at Cannes — I can see his influence here as well.

Monroe has turned into a sort of scream queen, building a considerable filmography of frighteners, including Longlegs, It Follows, Watcher, and The Guest. She is set to shoot an It Follows sequel this summer.

← A24 and Dev Patel’s ‘The Peasant’ Wraps Production in India — A ‘John Wick’ Meets ‘Braveheart’ Action EpicRami Malek Gives Career-Best Performance in Ira Sachs’ ‘The Man I Love’ [Cannes] →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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