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Guillermo del Toro & Alfonso Cuarón Rush to Defend Iñárritu's ‘Digger’ After Negative Reviews: “Entirely Petty”

When one amigo gets hit, the other two show up. That's been the deal for three decades between Alejandro G. Iñárritu, Guillermo del Toro and Alfonso Cuarón, and it's playing out in real time this weekend

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‘Barbie 2’ Back On. Skydance Reportedly Wants Greta Gerwig's Sequel Greenlit

The wheels are already turning to lock in a sequel to Greta Gerwig's 2023 blockbuster, and it sounds like an inevitability: "There's no way “Barbie 2” doesn't happen."

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Tony Gilroy's ‘Behemoth!' Premieres at NYFF to Mostly Positive, Partly Mixed Reviews

"Behemoth!" is Tony Gilroy's first film in 14 years, and it comes nearly two decades after his debut, "Michael Clayton." It also arrives four years after the critical and commercial triumph of his Disney+ series "Andor."

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‘Digger' Stumbles With $1.2M Previews; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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J.A. Bayona in Talks to Direct Next ‘Jurassic World’ Movie After Gareth Edwards Exit

Bayona hasn't directed a feature since “Society of the Snow,” his 2023 Oscar nominee. His résumé also includes “The Orphanage,” “The Impossible,” and “A Monster Calls.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Screen Spitballs Venice 2026: Fincher, Herzog, Leigh, McDonagh, Schrader, Haigh, Lee Chang-Dong

May 20, 2026 Jordan Ruimy

The usual names mentioned have been spitballed by Screen International in their Venice Film Festival predictions. A little early, especially with Cannes Film Festival still going on as we speak, but below is what’s shaping up.

By all accounts, David Fincher’s “The Adventures of Cliff Booth” will be the big American title. I’m also thinking Joel Coen’s “Jack of Spades” might be there, unless he opts to go to New York Film Festival again — if you remember, Venice actually rejected his last film, The Tragedy of Macbeth, back in 2021. Then you probably have Tom Ford’s “Cry to Heaven,” Paul Schrader’s “The Basics of Philosophy,” which was already accepted, and Werner Herzog’s “Bucking Fastard,” rejected by Cannes and now in the Venice competition.

I’d guesstimate that, year to year, 30–40% of the films playing in the Venice competition were initially rejected by Cannes, but some of them turn out to be huge on the Lido — I’m thinking of Golden Lion winners from Jim Jarmusch (“Father Mother Sister Brother”) and Audrey Diwan (“Happening”).

This year, films that failed to make Cannes but are Venice-bound include Werner Herzog’s “Bucking Fastard,” Stéphane Brizé’s “A Good Little Soldier,” and Cédric Kahn’s “15/18” — those three have already been accepted by fest boss Alberto Barbera.

Screen actually mentions Tom McCarthy’s “The Statement” as a possibility. It was shot in February. The film stars Paul Rudd, Paul Giamatti, John Turturro, Tatiana Maslany, Amy Ryan, and Jason Clarke. McCarthy premiered Spotlight at Venice 2015, and we all know what happened after that. US titles likely not going — Werwulf, Dune, Digger, The Social Reckoning, I Play Rocky, No One Cares, Death of a Salesman, Saturn Return, Whalefall, Onslaught, October, The Uprising, A Place in Hell, Sweetsick, and Animals

As for the non-U.S. filmmakers, there are quite a few notable names this year, including Mike Leigh, Lee Chang-dong, Hirokazu Kore-eda, Michel Franco, and Andrew Haigh.

VENICE COMPETITION CONTENDERS:

The Adventures of Cliff Booth (David Fincher)
Jack of Spades (Joel Coen)
Tender Loving Care (Mike Leigh)
Possible Love (Lee Chang-Dong)
Wild Horse Nine (Martin McDonagh)
Cry to Heaven (Tom Ford)
Look Back (Hirokazu Koreeda)
The Basics of Philosophy (Paul Schrader)
A Long Winter (Andrew Haigh)
Circles (Michel Franco)
Bucking Fastard (Werner Herzog)
Trick (Mario Martone)
15/18 (Cedric Kahn)
Bunker (Florian Zeller)
A Good Little Soldier (Stephane Brizé)
Cabula (Lila Aviles)
Wake of Umbra (Carlos Reygadas)
Switzerland (Anton Corbijn)
It Will Happen Tonight (Nanni Moretti)
Mimesis (Kaouther Ben Hania)
Après (Kirill Serebrenikko)
The Echo Chamber (Andrea Pallaoro)
Let Love In (Felix Van Groeningen)
Behemoth! (Tony Gilroy)
Here Comes the Flood (Fernando Mereilles)
The Statement (Tom McCarthy)

MORE …

Wake of Umbra (Carlos Reygadas)
Après (Kirill Serebrenikko)
Untitled Musical (Aleksandr Sokurov)
Elon (Alex Gibney)
Ang Kawalan (Lav Diaz)
Dr. Albertini’s Office (Emmanuel Mouret)
Leila Et La Nuit (Fellipe Barbosa)
Chork (Shane Meadows)
At the Middle of Life (Hong Sang-soo)
A Woman Unknown (May el-Toukhy)
The First Taste of Loneliness (Gu You)
Alpha Gang (David & Nathan Zellner)
Bad Lieutenant (Takashi Miike)
Peaches (Jenny Suen)
Violence du Corp de l’Autre (Denis Côté)
My Notes on Mars (Lily Horvat)
Une Autre Histoire (Mikhael Hers)
The Idiots (Malgorzata Szumowska & Michal Englert)
The Wolf Will Tear Your Immaculate Hands (Nathalie Álvarez Mesén)

ITALIAN FILMS

Bianco (Daniele Vicari)
No Pain (Gianni Amelio)
I’m Still Alive (Roberto Saviano)

← Box Office Upset: ‘Obsession’ Passes ‘Michael’ at #1 on Monday— Budget Was Just $750KPark Chan-wook’s ‘The Brigands of Rattlecreek’ Acquired by Warner Bros. Clockwork for $15M+ →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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