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Sebastian Stan Says “We Didn’t Have a Script” for ‘Avengers: Doomsday,’ Confirms Two-Face Role in ‘The Batman: Part II’

Yes, ‘Doomsday’ was shot without a finalized script. It was being written as production rolled on. The screenplay was still under development on set, with daily rewrites and updates in progress.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Shawn Levy’s ‘Ghost Rider,’ Starring Ryan Gosling, Sets July 28, 2028 Release Date

It’s official, Ryan Gosling has joined the Marvel Cinematic Universe. He will play Ghost Rider in a new standalone movie, directed by Shawn Levy. A 2027 shoot is planned.

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Zack Snyder Releases Teaser for ‘The Last Photograph’ — Still Without a U.S. Distributor

This project is the total opposite of Snyder’s usual maximalist brand of filmmaking. Hell, there’s not even a distributor attached to it yet.

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Bruce Campbell Says Modern ‘Evil Dead’ Movies Are “Too Grim”: “A Little More Humor Wouldn’t Kill You”

Should we even be calling these “Evil Dead” movies anymore? Beyond the Necronomicon and Deadites, little connects them to the anarchic spirit of Sam Raimi’s original trilogy.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Matt Reeves to Direct ‘Bonfire of the Vanities' Series for Apple TV

April 2, 2026 Jordan Ruimy

Oh boy, here we go again.

After decades of being treated like radioactive IP in Hollywood, “The Bonfire of the Vanities” is crawling its way back—this time as a prestige TV series. According to Variety, David E. Kelley is developing an adaptation for Apple TV+, where he’ll write and executive produce. Most intriguing: Matt Reeves is attached to direct the show.

On paper, this actually makes a lot of sense. If there was ever a story that screamed “limited series,” it’s Wolfe’s sprawling, acidic dissection of 1980s New York—Wall Street, greed, media hysteria, racial tension, all revolving around bond trader Sherman McCoy. The book, first serialized in Rolling Stone in 1984 before its 1987 publication, is dense, character-driven, and unapologetically mean.

Now, of course, there’s a cautionary tale here. Brian De Palma’s 1990 adaptation remains one of the great disasters in studio filmmaking—a glossy, wildly misjudged take that stripped Wolfe’s satire down to something oddly toothless. It was miscast. Tom Hanks as McCoy? Not right. Bruce Willis and Melanie Griffith didn’t know what movie they were in. Worse, studio interference occurred.

This is why nobody’s really touched this thing in 35 years.

Now, a limited series format could give this room to breathe—to actually explore the worlds of finance, politics, media, and the justice system without flattening everything into a two-hour compromise.

The wildcard here is Reeves, a strong filmmaker. Even if you don’t necessarily adhere to his brand of IP filmmaking, he knows how to frame a shot, control tone, and create atmosphere, and his knack for darker storytelling suggests he might, maybe, actually lean into the cynicism this story needs.

No production date is set just yet. Reeves is starting production on “The Batman: Part II” on May 29 in London, and once the dust settles on that, he’ll be free to tackle Wolfe for the small screen.

← Ryan Gosling Suddenly Exits The Daniels’ Upcoming Sci-Fi Action ComedyAndrey Zvyagintsev Returns With ‘Minotaur’: MUBI Secures U.S. Rights Ahead of Cannes 2026 Premiere →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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