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‘Wildwood’ Gets PG-13 Rating as LAIKA’s 140-Minute Stop-Motion Epic Targets Older Audiences

The exact details of the MPA’s rating for “Wildwood” are as follows: Rated PG-13 for “strong fantasy violence/bloody images, thematic material, suicide related material, brief partial nudity and language.”

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‘Priscilla, Queen of the Desert’ Sequel Is Happening, Guy Pearce Says: “We’ll Probably Shoot It in 2027”

Speaking of sequels—the unusual kind, which are always the best kind—here’s a major update on one that’s been brewing since the pandemic.

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‘Practical Magic 2’ Tracking $45M+ Opening, the Latest Sign of Hollywood’s ’90s/‘00s Nostalgia Boom

The sequel looks like a vehicle to reunite Kidman and Bullock. Moviegoers are responding. This might turn out to be Warner Bros.’ biggest hit of the year—until “Dune 3”—and will easily outpace “Supergirl.”

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David Fincher’s ‘Cliff Booth’ Will Get an IMAX-Only Release From Netflix, Playing in Just 350 U.S. Theaters

The latest on “The Further Mis-Adventures of Cliff Booth,” starring Brad Pitt, written by Quentin Tarantino, and directed by David Fincher, is that it’s getting an unusually restricted theatrical release.

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‘Coyote vs. Acme’ Opens to OK $15M as ‘The Dog Stars’ Bombs With $8M at the Box Office

“Coyote vs. Acme,” came very close to never getting released, yet, it almost doubled the weekend box office of Ridley Scott’s much-pricier “The Dog Stars.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Ellison Promises 30 Films a Year, 45-Day Theatrical Window: “I Give You My Word”

April 16, 2026 Jordan Ruimy

Paramount/Skydance CEO David Ellison is doubling down on his promise to release 30 films theatrically once Paramount merges with Warner Bros.

He kicked off the studio’s CinemaCon presentation with the promise: “I wanted to look every single one of you in the eye and give you my word. The theatrical experience is also smart business. Nowhere else can you launch a multiplatform franchise that can grow and thrive for generations to come.”

Not just that, Ellison made an additional promise: all of Paramount’s films would have a 45-day theatrical window before hitting PVOD, with a 90-day window to its streaming release on Paramount+.

“People can speculate all they want, but I am standing here telling you personally that you can count on our complete commitment,” he said.

Before Ellison’s announcement, three of the major studios — Universal, Warner Bros., and Disney — had agreed to reinstate the 45-day window. Sony’s Tom Rothman has stated that he would as well. Paramount was the lone wolf, but not anymore. Things are slowly getting back on track.

As for thirty theatrical films a year, that’s a lot — and something that hasn’t really been achieved by a major studio in the modern era of filmmaking. Can a studio realistically manage that many globally appealing films in a year, handling everything from development to distribution? It’s ambitious. I do applaud Ellison for at least attempting it. We’ll see how it goes.

Ellison’s appearance comes a few days after an open letter with over 2,500 signatures began circulating in Hollywood, opposing Paramount’s pending acquisition of Warner Bros. Discovery. Why wasn’t there this much pushback when Disney moved to acquire 21st Century Fox in 2017? The backlash to that merger felt more concentrated and less hostile, with none of the broad, public open-letter-style resistance we’re seeing right now.

Paramount’s presentation at CinemaCon was packed with titles: “Scary Movie,” “Street Fighter,” “Paw Patrol: The Dino Movie,” “Heart of the Beast,” “Jackass: Best and Last,” “Christmas Carol,” “Children of Blood and Bone,” “K-Pop Superstar,” “Mr. Irrelevant,” “The Angry Birds 3,” “Get Lite,” and “Hit Me Hard and Soft.”

← ‘Ella McCay’ Set for French Theatrical Run After Critics Hail Disney+ Release, James L. Brooks Says, “I Was Deeply Touched”Selena Gomez Set to Star in Brady Corbet’s ‘The Origin Of the World’ — His 4-Hour, X-Rated Western →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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