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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Hirokazu Kore-eda’s ‘Look Back’ Eyes Venice Debut, GKids Acquires U.S. Rights

March 9, 2026 Jordan Ruimy

Here’s a title that will likely hit many festivals in the fall.

GKids announced on Monday that it has secured the North American rights for Look Back, a new film from Oscar-nominated Japanese director Hirokazu Kore-eda (“Shoplifters”).

The movie marks the first live-action adaptation of the popular manga by “Chainsaw Man” creator Tatsuki Fujimoto. The story centers on two schoolgirls—one of whom struggles with extreme social anxiety—whose shared ambition of becoming manga artists brings them together.

This means that we will indeed be getting two Kore-eda movies in 2026. Alongside “Look Back,” Kore-eda has wrapped “Sheep in a Box,” a futuristic drama about a couple who raise a highly advanced humanoid as their son — set for release in early summer 2026 via Neon, it’s being positioned as a possible contender for the Cannes Film Festival.

Meanwhile, according to THR, “Look Back,” which is currently in post-production, is expected to premiere later in 2026, potentially at the Venice Film Festival.

Kore-eda has been working for nearly three decades, building a body of acclaimed work that includes “After Life,” “Still Walking,” “Like Father, Like Son,” and “After the Storm.” In 2018 when “Shoplifters” won the Palme d’Or and went on to gross $72M worldwide—a true “I told you so” moment for Kore-eda’s longtime fans, who had been championing his work ever since his 1995 breakthrough, “Maborosi.”

← Guy Ritchie’s ‘In the Grey’ Releases A Trailer — Delays Release to May 15, 2026James Cameron Confirms ‘Avatar 4’ is “Very Likely” to Happen →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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