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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kristoffer Borgli Faces Backlash After Resurfaced Essay Goes Viral Ahead of ‘The Drama’

March 27, 2026 Jordan Ruimy

Kristoffer Borgli is a provocateur; with every movie, he wants to get under your skin. With that in mind, it’s certainly not surprising that backlash is mounting over the twist in his latest film, “The Drama” — although I wouldn’t read too much into it, given that it involves a crucial plot point.

Then there’s this, unrelated to the film: a resurfaced Norwegian magazine essay by Borgli is now going viral, and it could put a stop to a promising filmmaking career that’s just getting started in Hollywood.

Borgli has “The Drama” hitting theaters next week, but now online sleuths are sharing scans of a 2012 article from a Norwegian magazine, written by Borgli, in which he talks about a recent relationship he had with a teenage girl.

The op-ed describes Borgli’s involvement in a “May–December” romance with a girl about ten years younger — he was 27 and she was 16 — whom his friends believe is too young for him. Although he initially tries to end things, he becomes increasingly attached, partly influenced by films that normalize large age differences, such as “Ghost World” and especially “Manhattan,” which convinces him that his relationship might be “within bounds.”

Further along, Borgli is fascinated by her cultural awareness and maturity, and they spend an intense summer together reading, watching films, sharing music, and talking for hours, often in secrecy. Despite feeling intellectually equal, the relationship carries underlying moral tension because of their different life stages. When summer ends and ordinary routines return, he reflects on the contrast between them, concluding symbolically that she represents youth and possibility while he embodies age and distance — “She was May; I was December.”

Borgli’s words from fifteen years ago have sadly come back to bite him; THR is now reporting on this, and with that, other outlets have also picked up on the story.

THR says: “While the legal age of consent in Norway is 16, relationships between adults and teenagers remain socially contentious in the country, a tension Borgli grapples with in the essay.”

“The Drama” is coming hot off the heels of Borgli’s English-language debut, “Dream Scenario,” starring Nicolas Cage, which was a wonderful comedy that made good on the promise of his Cannes-debuted “Sick of Myself.” ”

← ‘Michael’ Crushes Pre-Sales: Antoine Fuqua’s Biopic Might Break $80M-$90M+ Opening Weekend‘Cliff Booth’ Costs Add Up: Brad Pitt $40M, Fincher $20M, Tarantino $20M, and $200M Budget →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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