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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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Olivia Wilde Calls Netflix’s $20M ‘The Invite’ Offer a “Bribe” to Skip Theaters

Back in January, at the Sundance Film Festival, a bidding war emerged over Olivia Wilde’s “The Invite.” A24, Netflix, Searchlight, Focus Features, and NEON among the studios in the mix.

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‘American Psycho’ Reboot May Lose Luca Guadagnino as Casting and Rewrites Drag On

If Guadagnino’s vision ultimately doesn’t come together, and time surely is running out, Lionsgate might move on from the filmmaker they have already identified possible replacements.

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‘X-Men’ Reboot Rumors Heat Up With Christopher Abbott, Jon Hamm and .. Adam Driver?

With Jake Schreier directing, Samara Weaving locked, and Sadie Sink introduced as Jean Grey, the reboot is starting to come together. Maybe Marvel finally makes some of it official at D23 next week.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Quentin Tarantino Was on Set for Most of the ‘Cliff Booth’ Shoot, Seated Beside Fincher

February 9, 2026 Jordan Ruimy

While we wait for his tenth (and supposedly final) film, Quentin Tarantino’s self-imposed ten-movie limit has pushed him to search for loopholes—dabbling with the idea of telling stories via stage work, television, and novellas. In the process, we’ve missed out on plenty of potential films, and the whole premise feels doubly misguided because—let’s be honest—he’s already made ten movies, no matter how often he insists that ‘Kill Bill’ counts as just one release.

Here’s an amusing post from DiscussingFilm’s Andrew Salazar concerning some intel he’d heard about David Fincher’s “The Adventures of Cliff Booth,” written by Tarantino:

QT was on set for most, if not all, of shooting for the Cliff Booth movie. His high chair was next to Fincher’s, which makes the 10 movie rule feel a bit more silly

At first glance, this seems to suggest Tarantino found a loophole in his much‑publicized “10 movie rule,” but come on, he obviously didn’t call the shots on ‘Cliff Booth,’ and I highly doubt Fincher let him take over directing. Did he have input? I’m sure. But he didn’t ghost-direct the damn thing.

That said, Tarantino did write the screenplay and is serving as a producer, so it wouldn’t be out of the ordinary for him to offer guidance where needed. Was he too pushy—enough to annoy the hell out of Finch? I wouldn’t put it past him.

Previously, Tarantino himself had addressed why he chose not to direct this particular story:

I love this script, but I’m still walking down the same ground I’ve already walked. It just kind of unenthused me… This last movie, I’ve got to not know what I’m doing again.

Tarantino has long maintained that his career would end after ten films. For a time, it looked like “The Movie Critic” would be the one to close out his filmography, a “spiritual sequel” of sorts to “Once Upon a Time… in Hollywood.” Fans were intrigued, Hollywood press ran with the idea, and then—just like that—Tarantino scrapped it. The reasons remained murky, but the most realistic theory was that Tarantino didn’t want to end his career with that film.

Quentin, nobody cares if you make more than 10 movies. In fact, we’re rooting for it. Break the rules. Make eleven. Twelve. Go nuts.

← ‘Wuthering Heights’ Earns MIXED Reviews: “A Bastardization of Brontë”Roger Deakins Is “Nostalgic” for “Character-Driven Movies” That Hollywood “Makes No More” →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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