• Home
  • Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_2757.jpeg
Roger Deakins Is “Nostalgic” for “Character-Driven Movies” That Hollywood “Makes No More”
IMG_2756.jpeg
Mamas and the Papas Biopic in the Works — To Star Jessica Gunning (‘Baby Reindeer’)
IMG_2753.jpeg
PTA and Jonny Greenwood Demand ‘Melania’ Immediately Remove ‘Phantom Thread’ Music
IMG_2752.jpeg
‘Marty Supreme’ is Now the Highest Grossing A24 Movie of All-Time With $147M Worldwide Tally
IMG_2747.jpeg
Steven Spielberg's ‘Disclosure Day' Has A New Trailer
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Interviews
  • More
    • Yearly Top Tens

PTA and Jonny Greenwood Demand ‘Melania’ Immediately Remove ‘Phantom Thread’ Music

February 9, 2026 Jordan Ruimy

Paul Thomas Anderson and composer Jonny Greenwood have noticed that music from their film “Phantom Thread” was used in “Melania,” and they want its immediate removal from the film.

Here’s their statement (via Variety) — it reads as though the pair are seeking to nix the inclusion of Greenwood’s “Phantom Thread” composition due to Universal’s failure to notify them about its use.

It has come to our attention that a piece of music from Phantom Thread has been used in the “Melania” documentary. While Jonny Greenwood does not own the copyright in the score, Universal failed to consult Jonny on this third-party use which is a breach of his composer agreement. As a result Jonny and Paul Thomas Anderson have asked for it to be removed from the documentary.

The Phantom Thread song in question is “Barbara Rose,” which Greenwood composed for the movie.

Brett Ratner has recently spoken about how the $40 million-budgeted “Melania” spent a significant amount of money on music. At the documentary’s premiere, Ratner said the project had “spent more money on music in this than I did on Rush Hour.” That was his way of saying that expensive music licensing and production were part of why the film cost so much.

There’s zero chance Ratner and Amazon/MGM adhere to Anderson and Greenwood’s request. Zero. The film is currently playing in theaters, and if Greenwood and Anderson want to take this up with anyone, it would be Universal, which by all accounts sold the rights allowing the music to appear in Ratner’s film.

Other musical cues that appear in the film include The Rolling Stones’ “Gimme Shelter,” Michael Jackson’s “Billie Jean,” and James Brown’s “It’s a Man’s Man’s Man’s World.”

← Mamas and the Papas Biopic in the Works — To Star Jessica Gunning (‘Baby Reindeer’)‘Marty Supreme’ is Now the Highest Grossing A24 Movie of All-Time With $147M Worldwide Tally →

FOLLOW US!


Trending

Featured
IMG_1936.webp
‘Snow White,’ ‘War of the Worlds,’ and ‘Hurry Up Tomorrow’ Lead the 2026 Razzies Nominees
The 10 Best Shots of Roger Deakins' Career
The 10 Best Shots of Roger Deakins' Career
IMG_1336.jpeg
Alejandro Gonzalez Iñárritu’s ‘Digger’! Tom Cruise-Starring “Comedy” Has A Teaser, Poster and Title
IMG_1311.jpeg
James Cameron Admits He Wrote ‘Point Break’ but Never Got WGA Credit: “I Flat Out Got Stiffed”

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025