• Home
  • Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_5752.jpeg
Box Office: ‘Michael’ ($35M) Holds With Just 33% Drop as ‘Prada 2’ ($41M) Defeats ‘Mortal Kombat 2’ ($38M) and ‘Animal Farm’ Suffers 84% Collapse
IMG_5740.jpeg
Renée Zellweger, Sissy Spacek and Mia Threapleton To Star in ‘A Woman in the Sun’ — Julia Cox Directing
IMG_5734.jpeg
Werner Herzog Pulled ‘Bucking Fastard’ From Cannes After Competition Slot Denied
IMG_5722.jpeg
Timur Bekmambetov Defends ‘War of the Worlds’ After Razzies Triumph: “I’ll Take Three Weeks at #1 on Prime Over a Good Review Any Day”
IMG_5723.jpeg
Shawn Levy to Direct Netflix Sci-Fi ‘Somewhere Out There’
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Interviews
  • More
    • Yearly Top Tens

PTA and Jonny Greenwood Demand ‘Melania’ Immediately Remove ‘Phantom Thread’ Music

February 9, 2026 Jordan Ruimy

Paul Thomas Anderson and composer Jonny Greenwood have noticed that music from their film “Phantom Thread” was used in “Melania,” and they want its immediate removal from the film.

Here’s their statement (via Variety) — it reads as though the pair are seeking to nix the inclusion of Greenwood’s “Phantom Thread” composition due to Universal’s failure to notify them about its use.

It has come to our attention that a piece of music from Phantom Thread has been used in the “Melania” documentary. While Jonny Greenwood does not own the copyright in the score, Universal failed to consult Jonny on this third-party use which is a breach of his composer agreement. As a result Jonny and Paul Thomas Anderson have asked for it to be removed from the documentary.

The Phantom Thread song in question is “Barbara Rose,” which Greenwood composed for the movie.

Brett Ratner has recently spoken about how the $40 million-budgeted “Melania” spent a significant amount of money on music. At the documentary’s premiere, Ratner said the project had “spent more money on music in this than I did on Rush Hour.” That was his way of saying that expensive music licensing and production were part of why the film cost so much.

There’s zero chance Ratner and Amazon/MGM adhere to Anderson and Greenwood’s request. Zero. The film is currently playing in theaters, and if Greenwood and Anderson want to take this up with anyone, it would be Universal, which by all accounts sold the rights allowing the music to appear in Ratner’s film.

Other musical cues that appear in the film include The Rolling Stones’ “Gimme Shelter,” Michael Jackson’s “Billie Jean,” and James Brown’s “It’s a Man’s Man’s Man’s World.”

← Mamas and the Papas Biopic in the Works — To Star Jessica Gunning (‘Baby Reindeer’)‘Marty Supreme’ is Now the Highest Grossing A24 Movie of All-Time With $147M Worldwide Tally →

FOLLOW US!

No results found

Trending

Featured
IMG_5398.jpeg
Warner Bros. Source Says ‘Horizon: Chapter 2’ Is “Frozen” With “No Plans” for Release
IMG_5393.jpeg
Mel Gibson’s ‘The Resurrection of the Christ’ Wraps Seven-Month Shoot With New DP Robrecht Heyvaert, $250M Budget
IMG_5374.jpeg
Is Steven Spielberg’s ‘Disclosure Day’ a Secret Sequel to ‘Close Encounters’?
IMG_5332.jpeg
Lynne Ramsay Says Joaquin Phoenix Arctic Epic ‘Polaris’ Is Her Next Film and Calls It Her ‘2001’

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025