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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Zach Cregger’s ‘Flood’ Lands Theatrical Rollout at Netflix? — Deep-Space Crew Faces Time-Warping Alien Horror

March 23, 2026 Jordan Ruimy

Last year, we got a report that Zach Cregger — coming off the immense success of “Weapons” — had his mysterious sci-fi horror flick, “The Flood,” hitting a wall at Netflix. The hold-up? Cregger reportedly wante the film to land in theaters first, and the streamer wasn’t budging.

At the time, whether the project ever saw the light of day was up in the air, but word was that after his upcoming “Resident Evil” reboot, Cregger’s next move would likely be a “Weapons” prequel centered around Amy Madigan’s Aunt Gladys.

I’m now saying, hold on just a second — one of my sources is telling me that Cregger and Netflix are trying to reach a deal for ‘Flood, and that it could potentially be his next film. The streamer will probably give this one the same type of “robust” rollout — their words, not mine— that Greta Gerwig’s ‘Narnia’ is set to garner this fall.

What changed? I’m not entirely sure. Maybe it’s that “Weapons” snagged an Oscar, giving Cregger some serious clout, and now a decent theatrical release just makes sense for Netflix. Yeah… maybe that’s it. Oh, and Steven Spielberg is one of the producers.

Now, the film is still “in development” over at Netflix; no casting has happened yet, and I’m told Cregger hasn’t chosen yet what his actual next project will be, but he’d like to shoot something in the fall, and this could be it.

So, what’s “Flood” actually about? The story follows a deep-space exploration team aboard the Spiritus Mundi, who pick up a strange, recurring signal from a remote planet. Captain Elena Voss leads the mission to investigate, only to discover a bizarre alien artifact that starts warping time, reality, and the crew’s minds.

Netflix’s no-theatrical stance has already cost them big-name talent before. Joseph Kosinski walked away from “F1,” Greta Gerwig reportedly threatened to abandon her “Narnia” without a big-screen release, Emerald Fennell passed on a higher Netflix offer for “Wuthering Heights,” and the Duffer Brothers jumped ship to Paramount over the same issue.

As for Cregger’s “Resident Evil” reboot, it’s coming out on September 18 via Sony.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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