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Carlos Reygadas' ‘Heil Jupiter!' Divides NYFF With Orgies, a Colonoscopy and Invented Language

I have no idea if I'll ever get to see "Heil Jupiter!" in a theater, and whether a U.S. distributor will take on nearly three hours of unsimulated sex, colonoscopy footage and an invented language is up for debate.

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M. Night Shyamalan’s ‘Remain’ Surprise Screens, and First Reactions Are Promising

Clearly, by screening this four months before release, Shyamalan and Warner Bros. are feeling bullish about the potential of "Remain," and the reactions from last night are indeed very positive.

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Danny Boyle Says ‘28 Years Later: Part 3' Might Happen “In Theory,” but He's “Not Sure When”

The timing of this latest update comes after this year’s “28 Years Later: The Bone Temple” earned strong reviews but faltered at the box office.

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Jennifer Lawrence to Star in Zach Cregger’s ‘The Flood’

Zach Cregger’s next film, “The Flood,” has found its lead actress, and it’s none other than Jennifer Lawrence. Steven Spielberg is producing. Warner Bros. has it dated for August 11, 2028

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BREAKING: David Fincher Exits Netflix Deal, Ending 13-Year Partnership

David Fincher has decided not to renew his deal at Netflix, a turning point in his long relationship with the streamer. His current deal expires next year.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Roger Avary Says He Couldn’t Get a Movie Made—Until He Found AI and Now Has Three Upcoming Releases

February 15, 2026 Jordan Ruimy

Roger Avary, the Oscar-winning co-writer of “Pulp Fiction” and Quentin Tarantino’s podcast co-host, says the rise of artificial intelligence has made it easier to get his movies made.

Just to put things into perspective, Avary has only directed four films since his 1993 debut “Killing Zoe,” one of which includes 2002’s Bret Easton Ellis adaptation “The Rules of Attraction.” He’s also written two other films, including “Silent Hill” and “Beowulf.”

In a recent appearance on The Joe Rogan Experience, Avary described the traditional film financing system as effectively inaccessible to him. “I go out there and try to get stuff made, and it’s almost impossible,” he said, explaining that conventional routes no longer seem to be an option.

That changed after he launched his AI-focused production banner, General Cinema Dynamics. According to Avary, simply positioning the company as a technology-driven, AI-based venture unlocked immediate investor interest. “All of a sudden, boom, like that, money gets thrown at it,” he said. “Just by attaching the word ‘AI’… investors came in, and we’re in production on three films now.”

Those projects include a family Christmas film slated for theaters this holiday season, a “faith-based” release timed for Easter, and what Avary describes as a large-scale romantic war epic.

Avary admitting all this will no doubt trigger many, after all, it arrives amid growing anxiety in Hollywood over AI’s long-term impact. Darren Aronofsky did not make any friends in the industry for making “On This Day… 1776,” his multi-part animated web series from AI studio Primordial Soup. Concern only intensified this week when a viral clip—generated from a short prompt using Seedance 2.0—depicted Tom Cruise fighting Brad Pitt in a hyper-realistic video.

Now, don’t get me wrong: a vocal majority of the industry is firmly against AI. But there have also been some notable filmmakers—most older veterans—who have actually come out in support of AI usage in “cinema.” Joining Avary and Aronofsky have been the likes of Roger Deakins, Brady Corbet, Michael Mann, Paul Schrader, Werner Herzog, and George Miller.

It should also be mentioned that Doug Liman is about to shoot his next film entirely on AI-generated stages. Oh, and Michael Mann has teased using AI for de-aging purposes on his upcoming “Heat 2,” which might be the same technology George Miller used on “Furiosa.”

← Sandra Hüller Earns Raves for ‘Rose’ at 76th Berlin Film Festival‘Send Help’ Shows Major Legs, Drops Just 0.8% in Third Weekend With $9M Gross →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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