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DGA and IATSE Back Paramount’s Warner Bros. Merger, Urge AG Rob Bonta to Drop Lawsuit

The DGA and IATSE are two of the most powerful showbiz unions, and If this merger does go through, they will have absolutely played a role in helping make it happen.

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‘Coyote vs. Acme’ Scores 94% on Rotten Tomatoes, But Is Tracking for Weak $6–8M Opening

We’ll finally get to see what the big deal was when the film arrives in theaters, currently eyeing an August 28, 2026, release. Will it be a breakout hit, or just another “The Day the Earth Blew Up”?

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Alden Ehrenreich Joins Joseph Kosinski’s ‘Miami Vice ’85’ With Michael B. Jordan and Austin Butler

Eight years ago, Ehrenreich, who was seen by many as a rising star, was blamed in some circles for “Solo: A Star Wars Story,” which led to a five-year break from acting. He is now back, and with a vengeance.

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Adrien Brody and Sean Penn to Star in Doug Liman’s ‘Snake Island,’ About the Nord Stream Sabotage — Now Filming

“Snake Island,” directed by Doug Liman, is not only currently filming in Croatia, but two recent Oscar winners have now boarded the project as its leads: Sean Penn and Adrien Brody.

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‘Barbie 2’ Is in Crisis Over “Massive” Salary Demands From Greta Gerwig, Margot Robbie and Ryan Gosling

Based purely on upfront salaries alone and not including backend participation, we’re looking at $100M+ just to bring back Robbie, Gosling, Gerwig and Baumbach. The total budget of the first film was $145M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Doug Liman’s ‘Killing Satoshi’ Will Shoot Entirely on AI-Generated Stages, No Locations

February 13, 2026 Jordan Ruimy

WTF! I bet this wasn’t on your bingo card.

What a strange update we have about the upcoming “Killing Satoshi,” directed by Doug Liman, which, according to Variety, will be filmed entirely with AI background on a “markerless performative capture stage,” with no on-location shooting.

That’s right—the film plans to use AI technology to create backgrounds and scenery, and not just that, to also “tweak” actors’ performances—adjusting lip, facial, and body movements—if needed, of course. This is all being done to “reduce the need for reshoots.”

The film’s producer, Ryan Kavanagh, is attempting to calm the inevitable industry firestorm, stressing that the film will not replace real actors with AI-generated performers. “We will not have any AI-generated actors that do not exist,” he told Variety, emphasizing that AI is being used as a tool to make filmmaking more efficient while protecting jobs.

“Killing Satoshi” begins production in the U.K. from late February through March. Casey Affleck and Pete Davidson star in the film about Bitcoin’s elusive creator. The screenplay comes from Nick Schenk, who penned Eastwood’s “Gran Torino” and “The Mule.” His script reportedly follows a shadowy global network intent on silencing the truth about Bitcoin’s mysterious creator.

Since Bitcoin’s emergence in 2009, Nakamoto has remained an enigma—seen by some as a visionary liberating individuals from traditional finance, and by others as a destabilizing threat to governments and institutions. Analysts believe Nakamoto mined roughly one million Bitcoin in the early years, an untouched fortune now valued at around $64 billion. If still alive, that would make Nakamoto one of the wealthiest people on the planet.

The story being told here sounds promising and is the stuff of fascinating debate—and rabbit holes—but the use of AI is certainly a twist: odd in nature and completely unexpected. I’m sure the upcoming SAG-AFTRA negotiations will have a field day with this one.

← Martin McDonagh’s ‘Wild Horse Nine’ Sets November 2026 ReleaseThe Bride’ Budget Now $100M+ After Massive Reshoots →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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