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Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

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Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

Imagine firing Isabelle Huppert from your movie. One of the great actresses of all time, the woman behind "The Piano Teacher," "La Cérémonie" and "Elle," dropped because she missed a table read.

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Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

Are we really that surprised? The original draft was written by S. Craig Zahler, the guy behind "Bone Tomahawk," "Brawl in Cell Block 99" and "Dragged Across Concrete."

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Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

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Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Doug Liman’s ‘Killing Satoshi’ Will Shoot Entirely on AI-Generated Stages, No Locations

February 13, 2026 Jordan Ruimy

WTF! I bet this wasn’t on your bingo card.

What a strange update we have about the upcoming “Killing Satoshi,” directed by Doug Liman, which, according to Variety, will be filmed entirely with AI background on a “markerless performative capture stage,” with no on-location shooting.

That’s right—the film plans to use AI technology to create backgrounds and scenery, and not just that, to also “tweak” actors’ performances—adjusting lip, facial, and body movements—if needed, of course. This is all being done to “reduce the need for reshoots.”

The film’s producer, Ryan Kavanagh, is attempting to calm the inevitable industry firestorm, stressing that the film will not replace real actors with AI-generated performers. “We will not have any AI-generated actors that do not exist,” he told Variety, emphasizing that AI is being used as a tool to make filmmaking more efficient while protecting jobs.

“Killing Satoshi” begins production in the U.K. from late February through March. Casey Affleck and Pete Davidson star in the film about Bitcoin’s elusive creator. The screenplay comes from Nick Schenk, who penned Eastwood’s “Gran Torino” and “The Mule.” His script reportedly follows a shadowy global network intent on silencing the truth about Bitcoin’s mysterious creator.

Since Bitcoin’s emergence in 2009, Nakamoto has remained an enigma—seen by some as a visionary liberating individuals from traditional finance, and by others as a destabilizing threat to governments and institutions. Analysts believe Nakamoto mined roughly one million Bitcoin in the early years, an untouched fortune now valued at around $64 billion. If still alive, that would make Nakamoto one of the wealthiest people on the planet.

The story being told here sounds promising and is the stuff of fascinating debate—and rabbit holes—but the use of AI is certainly a twist: odd in nature and completely unexpected. I’m sure the upcoming SAG-AFTRA negotiations will have a field day with this one.

← Martin McDonagh’s ‘Wild Horse Nine’ Sets November 2026 ReleaseThe Bride’ Budget Now $100M+ After Massive Reshoots →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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