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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mike Leigh’s New Film Wraps in London, Cast Announced — 83-Year-Old Master Refuses to Slow Down

February 11, 2026 Jordan Ruimy

Last year, Bleecker Street announced a new Mike Leigh film, still untitled, set for 2026 release, and now we have more details on the project, which wrapped production in London.

While the film is still known as “Untitled Mike Leigh 2025” and, as is always the case with the filmmaker, there are no plot details available, at least we have a cast: a quartet of previous on-screen collaborators in Marion Bailey (“Mr. Turner”), Paul Jesson (“All or Nothing”), Kate O’Flynn (“Happy-Go-Lucky”), and Alice Bailey Johnson (“Hard Truths”).

With the passing of Leigh’s legendary cinematographer Dick Pope, with whom he worked on eleven films, the director of photography on this new film will be Lucy Bristow, who started off as a focus puller on Leigh’s ’80s and ’90s films and went on to be his camera operator over the last 20 years.

Leigh is one of the great living filmmakers — Oscar-nominated five times for writing and twice for directing (“Secrets & Lies,” “Vera Drake”) — and at 83, he refuses to retire. And why should he?

It helps that his last film, “Hard Truths,” was great, despite having been rejected by Cannes, Venice, and Telluride (Leigh’s words, not mine). Not to mention the four-year journey during which Leigh struggled to raise the money needed to make it.

What’s even more baffling is that “Hard Truths” cost only a few million dollars to make, yet that didn’t stop Netflix from rejecting Leigh’s pitch in 2021. It’s been a long road for the film, and it does look like the iconic British filmmaker might have had the last laugh.

What seems to scare distributors about funding Leigh is that he’s notorious for not having a script and for not revealing anything about what the film will be, instead exploring and arriving at the story organically. The writing comes relatively late in the process, the result of a close collaboration with his cast.

While we’re at it, I’ll list the indisputable Leigh films — the ones I’ve kept thinking about all these years. You have to start with his Palme d’Or-winning “Secrets & Lies,” and the indescribable “Naked.” His other career highlights: “Life Is Sweet,” “Another Year,” “Hard Truths,” “Happy-Go-Lucky,” “All or Nothing,” “Topsy-Turvy.”

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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