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Guillermo del Toro and Alfonso Cuarón Rush to Defend Iñárritu's ‘Digger’ After Negative Reviews: “Entirely Petty”

When one amigo gets hit, the other two show up. That's been the deal for three decades between Alejandro G. Iñárritu, Guillermo del Toro and Alfonso Cuarón, and it's playing out in real time this weekend

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‘Barbie 2’ Back On. Skydance Reportedly Wants Greta Gerwig's Sequel Greenlit

The wheels are already turning to lock in a sequel to Greta Gerwig's 2023 blockbuster, and it sounds like an inevitability: "There's no way “Barbie 2” doesn't happen."

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Tony Gilroy's ‘Behemoth!' Premieres at NYFF to Mostly Positive, Partly Mixed Reviews

"Behemoth!" is Tony Gilroy's first film in 14 years, and it comes nearly two decades after his debut, "Michael Clayton." It also arrives four years after the critical and commercial triumph of his Disney+ series "Andor."

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‘Digger' Stumbles With $1.2M Previews; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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J.A. Bayona in Talks to Direct Next ‘Jurassic World’ Movie After Gareth Edwards Exit

Bayona hasn't directed a feature since “Society of the Snow,” his 2023 Oscar nominee. His résumé also includes “The Orphanage,” “The Impossible,” and “A Monster Calls.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Chevy Chase Blames John Carpenter for His Own Infamous On-Set Meltdown

January 2, 2026 Jordan Ruimy

Chevy Case: comedy talent, and genuine asshole. Chase’s current PR tour has been further proof of why the man is so widely disliked by people who have had the misfortune of working with him.

He’s out there promoting a CNN documentary about his life and simply can’t help outing himself as a chronic asshole in every interview. He also refuses to apologize for the endless misdeeds, the sheer terror?l he’s perpetrated on colleagues over these last six decades.

One of Chase’s most notable “victims” was John Carpenter, who famously—or infamously—said that working with Chase made him want to quit show business. The clashes they had on the set of “Memoirs of an Invisible Man.” Carpenter has bluntly called Chase “a director’s worst nightmare” and said the actor was “nearly impossible to direct” on that project, contributing significantly to why he later said the movie was the one he most “hates thinking about.”

In a recent interview with The New York Times, Chase was asked about Carpenter’s comments and attempted a classic switcheroo, insisting that he wasn’t the problem—no, it was Carpenter who was actually the douchebag, laying it out in typical Chevy Chase fashion.

“What about the part where John Carpenter said you made him want to quit the business?”

CHASE: “I don’t know what that’s all about, but he’s a crazy guy anyway.”

“So that’s about his behavior, not yours?”

CHASE: “Did he say I was an [expletive]?”

“He said you made him want to quit the business.”

CHASE: “Oh, that’s even better. If you look at those movies, they come from a guy who’s frightened, who’s unsure. I think that he mistreated other people, and that’s not good. And I try not to mistreat other people, particularly having a fame quality, because it makes them feel bad.” (Carpenter declined to comment.)

That’s a particularly rich claim coming from Chase, a man long Hell, Chase’s decades-long reputation for being an asshole goes back so far that even Cary Grant sued him for defamation in the 1980s.

Where to start? Over the years, Chase has been widely criticized by colleagues for behavior described as hostile or demeaning: during his Saturday Night Live years, cast members and writers such as Bill Murray—with whom he had a notorious on-air physical altercation—Jane Curtin, Gilda Radner, Dan Aykroyd, Al Franken, and even producer Lorne Michaels spoke publicly about his arrogance and cruelty in the writers’ room; on films like Caddyshack, co-stars Bill Murray and Rodney Dangerfield recalled constant antagonism.

Decades later on “Community,” co-stars and creators including Donald Glover, Yvette Nicole Brown, Joel McHale, Ken Jeong, and Dan Harmon described racist remarks, verbal abuse, and behavior that damaged morale and production.

Chase rarely expresses regret; the consistency of these accounts across different eras has cemented his reputation as one of Hollywood’s most notoriously difficult personalities. Yet the comedies he made in the ’80s will live on — I’ll gladly, guilt-free, rewatch Chase gut-busters like “Vacation,” “Fletch,” and “Three Amigos.”

← Guillermo del Toro Watches 1,000 Movies a Year — and Letterboxd Users Are Trying to Keep UpMichael Mann Calls ‘Fire and Ash’ A “Massive Achievement”: The Whole Trilogy Will Be Seen As a “Magnum Opus” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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