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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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Jafar Panahi Sentenced to Five Years in Prison as Iran Orders His Assets Seized

It keeps getting worse for Jafar Panahi. The Palme d'Or-winning director of "It Was Just an Accident" has been sentenced by Branch 26 of the Tehran Revolutionary Court to five years in prison.

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‘The Birds’ Limited Series Starring Sarah Snook Lands at HBO

Hollywood remaking anything connected to Hitchcock has rarely produced memorable results. Yet the industry keeps trying, despite overwhelming evidence that it’s a fool’s errand.

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‘One of Them Days’ Filmmaker Lawrence Lamont to Direct Ice Cube-Penned ‘Last Friday’ Sequel

Lawrence Lamont, whose “One of Them Days” was one of the more pleasant low-key surprises of early 2025, has been tapped by New Line to direct “Last Friday,” the fourth instalment of the “Friday” franchise.

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‘Coyote vs. Acme' Ruled Eligible for Best Animated Feature Oscar — Crashes the Race Against ‘Wildwood’ and ‘Toy Story 5’

Should "Coyote vs. Acme" even be considered an animated film? The Academy requires animation to cover 75% of a film's runtime, and somehow this movie cleared that bar.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Lynne Ramsay’s ‘Die, My Love’ Finally Gets Teaser Trailer

September 5, 2025 Jordan Ruimy

Here’s a teaser trailer for Lynne Ramsay’s “Die, My Love,” which seems to be sticking to its November 7 release date via MUBI. The film weirdly skipped Telluride, TIFF and truth be told, it was a late addition at Cannes because Ramsay barely finished editing the film.

This was total deja vu for Ramsay as her previous film, “You Were Never Really Here,” was also a late submission at Cannes 2017. It even ended up screening without any end credits at Cannes, but still managed to garner great reviews at the fest.

That was not necessarily the case with “Die, My Love,” which despite garnering somewhat positive notices, left quite a few people puzzled on the Croisette. Although messy in tone, I found the film to be quite good, led by an incredible, Oscar-worthy lead performance by Jennifer Lawrence.

IndieWire’s “Screen Talk” podcast recently hinted that Ramsay went back to the editing room after Cannes to further shape “Die, My Love,” which might potentially explain its absence from the August/September fests. Ramsay’s obviously deeply invested in refining the film’s tone and narrative clarity, which was an issue. It also means audiences and critics may see a notably different version when the film eventually makes its wider theatrical debut in November.

In “Die, My Love,” Lawrence’s Grace gives birth to a baby boy, and the spiral begins. Barely getting any help, and support, and sex, from her husband (Robert Pattinson), a sort of depression transforms into full-blown psychosis.

Most reviews have pointed towards the film dealing with postpartum depression, but during a candid conversation with film critic Elvis Mitchell, Ramsay herself was saying they got it all wrong, clearly frustrated about the mixed reactions towards her film.

This whole postpartum thing is just bullsh*t,” Ramsay said. “It’s not about that. It’s about a relationship breaking down, it’s about love breaking down, and sex breaking down after having a baby. And it’s also about a creative block.

Based on Ariana Harwicz’s 2017 novel of the same name, the film also stars LaKeith Stanfield, Sissy Spacek, and Nick Nolte. Ramsay directed from a script she co-wrote with Enda Walsh and Alice Birch.

MUBI acquired the film for $24M, the biggest deal out of Cannes this year.

← Study: Rotten Tomatoes Scores Inflated by 13% Compared to 10 Years AgoAI to Recreate Lost 43 Minutes of Orson Welles’ ‘The Magnificent Ambersons’ →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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