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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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‘One Night Only’ Makes Sex Boring — Negative Reviews Greet the ‘Sex Purge’ Rom-Com as Callum Turner’s Bond Hopes Takes a Hit

“One Night Only” is essentially a rom-com version of “The Purge,” where premarital sex is banned except for one night a year. Yet it spends so much time justifying its concept that it forgets the sex.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paul Greengrass Says ‘The Lost Bus’ is “The Most Realistic Depiction of Fire Ever Put On Film”

August 29, 2025 Jordan Ruimy

No shocker, Paul Greengrass’ latest film is apparently rooted in the kind of authenticity the filmmaker is known for showcasing on screen.

If this interview with Empire is any indication,“The Lost Bus” will tackle a true story in the same gritty realism approach Greengrass brought to such films as “United 93” and “Bloody Sunday.”

The story follows a harrowing real-life event: in November 2018, Paradise, California, was engulfed by a catastrophic wildfire that claimed 85 lives, injured 19, and leveled 1,800 homes. Amid the chaos, school-bus driver Kevin McKay shepherded 22 children to safety, navigating one of the most perilous environments imaginable.

Greengrass captures that fires on screen, with Matthew McConaughey leading the cast alongside America Ferrera, who portrays a teacher caught in the tragedy. “I wanted it to be the most realistic depiction of fire ever put on film,” the director told Empire.

Achieving that level of realism posed enormous challenges. At one point, Greengrass considered massive digital screens showing the blaze, and then said screw it. Instead, he decided to shut down Santa Fe University of Art and Design, build a controlled road circuit complete with gas burners and lines of fire, and shot during magic hour to capture the glowing orange light.

“I told Matthew, ‘Trust me. The goal is to capture the intensity of a live performance, but with the safety of thorough preparation,’” Greengrass recalls. “We essentially had to shoot a full day’s work in sixty minutes. They embraced it completely. There’s always a moment when you know your actors have it—you just need to capture it.”

Very soon we’ll find out if Greengrass pulled off the thrills as “The Lost Bus” world premieres at TIFF in two weeks.

← ‘Megadoc’ Chronicles the Wild Feud Between Francis Ford Coppola and Shia LaBeouf [Venice]Luca Guadagnino Defends Ode to Woody Allen in His #MeToo Movie ‘After the Hunt’ [Venice] →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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