• Home
  • Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_5740.jpeg
Renée Zellweger, Sissy Spacek and Mia Threapleton To Star in ‘A Woman in the Sun’ — Julia Cox Directing
IMG_5734.jpeg
Werner Herzog Pulled ‘Bucking Fastard’ From Cannes After Competition Slot Denied
IMG_5722.jpeg
Timur Bekmambetov Defends ‘War of the Worlds’ After Razzies Triumph: “I’ll Take Three Weeks at #1 on Prime Over a Good Review Any Day”
IMG_5723.jpeg
Shawn Levy to Direct Netflix Sci-Fi ‘Somewhere Out There’
IMG_5720.jpeg
Greg Mottola Tipped to Direct DC Studios’ ‘Deathstroke and Bane’ Movie
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Interviews
  • More
    • Yearly Top Tens

Laura Poitras' Latest in Venice Competition

July 20, 2025 Jordan Ruimy

Word is trickling out that Laura Poitras is set to return to the Venice Film Festival competition lineup this year with a brand new documentary. The film, shrouded in mystery, reportedly wasn’t on any radars, with even the most well-connected completely unaware that Poitras had anything in the works.

In a year where most of the lineup has already begun to leak in drips and drabs, this one feels like a genuine surprise. If you remember, Poitras stunned the Lido in 2022 with “All the Beauty and the Bloodshed,” which followed artist and activist Nan Goldin’s crusade against the Sackler family. The film won the coveted Golden Lion, making it only the second documentary to do so in the festival’s 80+ year history.

That win wasn’t just symbolic, it signaled that Venice, under Alberto Barbera, was willing to take bold risks in its top prize selections. As for this new project, no title or subject matter has leaked so far, which is increasingly rare in the modern festival ecosystem. Given Poitras’ track record, especially her deep dives into surveillance (“Citizenfour”) and political resistance (“Risk”), one imagines the film will again ruffle some feathers.

It was actually back in 2022, while she was screening ‘All the Beauty’ at Toronto and Venice, that Poitras slammed both festivals for “whitewashing” and “providing a platform” to Hilary Clinton who had been invited at those fests to screen her Apple TV+ doc, “Gutsy.” Ironically enough, Poitras might be invited to both fests this fall to screen her her new film.

← ‘Blade' Reboot With Mahershala Ali is, Somehow, Still Alive, According to Kevin FeigePaul Thomas Anderson’s ‘One Battle After Another’ to Skip Fall Festivals Entirely →

FOLLOW US!

No results found

Trending

Featured
IMG_5398.jpeg
Warner Bros. Source Says ‘Horizon: Chapter 2’ Is “Frozen” With “No Plans” for Release
IMG_5393.jpeg
Mel Gibson’s ‘The Resurrection of the Christ’ Wraps Seven-Month Shoot With New DP Robrecht Heyvaert, $250M Budget
IMG_5374.jpeg
Is Steven Spielberg’s ‘Disclosure Day’ a Secret Sequel to ‘Close Encounters’?
IMG_5332.jpeg
Lynne Ramsay Says Joaquin Phoenix Arctic Epic ‘Polaris’ Is Her Next Film and Calls It Her ‘2001’

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025