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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Marvel Claims To Have Finally “Cracked” The Story For ‘Blade’ Reboot

June 23, 2025 Jordan Ruimy

The behind-the-scenes chaos surrounding Marvel’s “Blade” reboot has been written about endlessly, and for good reason — few projects in the MCU pipeline have had this many false starts. What we do know: Mahershala Ali is still attached to star, the budget is hovering around $80 million, and yes, it’s still supposed to be R-rated.

But beyond that? It’s anyone’s guess.

A couple of weeks ago, David Goyer — who penned the original 1998 Blade with Wesley Snipes and arguably helped kickstart the modern comic book movie — casually floated the idea that Marvel should give him a call if they need help getting this thing across the finish line.

“It’s so funny, about eight months ago — when, not the latest hiccup hit, but like the prior hiccup — I had so many people that would say to me, ‘Dude, would you get in there on Blade? Would you just get in there?,’ whether it be friends or fans or people on social media,” Goyer told Variety.

Turns out he eventually did reach out to Marvel, via his agent, to offer his services. Their response?

We love you, but we think we’ve cracked it now, and we’re in a good place.

Goyer hasn’t been contacted since. And given the current state of Blade, it’s hard not to read that “good place” comment as pure studio spin. This is a project that’s cycled through no fewer than six writers (Michael Green, Stacy Osei-Kuffour, Michael Starrbury, Beau DeMayo, Nic Pizzolatto, and now Eric Pearson) and at least three directors — Bassam Tariq, Yann Demange, and Cary Fukunaga (the last of whom never officially signed on, but was in talks before reportedly walking away over creative control concerns).

Goyer says he doesn’t know what’s going on behind closed doors — “I don’t know the behind the scenes of it” — but leaves the door slightly ajar if Marvel ever wants to tap him. “I might consider it because I love the character, and it sort of started my superhero career,” he said. “Even though I’m now considered a DC guy, I started as a Marvel guy… I would consider it, just for old time’s sake.”

Again, this is the guy who helped shape “Blade,” wrote ‘The Dark Knight’ trilogy, and “Man of Steel.” Not exactly a rookie. At this point, what does Marvel have to lose?

The version of the script currently in play is Eric Pearson’s. And reportedly, it moves the setting from the previously planned 1920s backdrop into the present day — a sign that the tone and scope of the film have likely shifted again.

Since the project was first announced at Comic-Con 2019, delays have piled up: COVID, WGA/SAG strikes, multiple re-writes, casting changes, director exits. Aaron Pierre and Delroy Lindo are both off the film. Mia Goth, at least for now, is still attached to play Lilith, a vampiric villainess after the blood of Blade’s daughter.

Meanwhile, Mahershala Ali — the Oscar-winning star the whole thing was built around — is reportedly “increasingly frustrated” with the lack of forward motion.

Can you blame him?

Six years in and “Blade” still feels uncertain. Maybe it’s time Marvel makes that call to Goyer. Or someone. Anyone.

← ‘Splitsville’ Trailer: Tender, Hilarious Divorce Romp is Peak ComedyEzra Miller To Co-Write and Star in Lynne Ramsay-Directed Vampire Movie →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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