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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Soderbergh Reacts to Fincher and Pitt’s ‘Once Upon a Time’ Sequel: Tarantino’s Approval Surprises Him

April 29, 2025 Jordan Ruimy

When news broke that David Fincher and Brad Pitt would make a sequel to Quentin Tarantino's acclaimed "Once Upon a Time in Hollywood" for Netflix, many didn't believe it to be true. Hell, there are still people out there who don’t believe it’ll happen.

Steven Soderbergh, one of Fincher’s closest friends, tells Business Insider that the ‘Hollywood’ sequel landing into Fincher’s hands was all Pitt’s idea, but he’s rather surprised Tarantino has given his blessing for it to happen.

I think [Fincher and Pitt] are always on the lookout for something to do together, and so this was, it sounds like, an unusual set of circumstances where Quentin decided he didn't want to do it and Brad asked him, "Can I show it to David?" and he said sure, and David read it and said let's do it. That seems to be what happened. That's not surprising at all. What's surprising is Quentin's agreeability. 

It’s widely believed that Tarantino—who has publicly said his next film will be his last—was hesitant to conclude his directing career with a sequel. That’s potentially where his “agreeability” for Fincher to direct came from. Tarantino probably saw this opportunity as a loophole for his script to get shot, but without it counting as his tenth and final film.

This wouldn’t be the first time another filmmaker directed one of Tarantino’s scripts; it has happened three times, so far, on Tony Scott’s “True Romance,” Oliver Stone’s “Natural Born Killers,” and Robert Rodriguez’s “From Dusk Til Dawn.”

Given that he's friends with Fincher, did Soderbergh know about him taking on the sequel before the news broke?

"I was aware, but I was also very cognizant that this was a newsworthy piece of information," Soderbergh said. "Actually, I was surprised it took that long for the story to come out. But it's happening, and it's happening soon." 

← ‘Avengers: Doomsday’ Starts Filming Without A Finished Script or A Finished Cast‘Havoc’ Explodes to #1 on Netflix — Readers’ Thoughts? →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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