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Craig Zobel Reunites With Blumhouse to Direct ‘Something Is Killing the Children'

Zobel broke out with "Compliance" (excellent) and "Z for Zachariah" (fine) before building an excellent prestige TV résumé: "The Leftovers," "Westworld," "Mare of Easttown," and most recently, "The Penguin."

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Ava DuVernay’s ‘14th’ Slammed for Using AI

Ten years after “13th,” Ava DuVernay is back with its companion piece. “14th” screened Friday at the New York Film Festival, and the conversation afterward wasn't really about the Fourteenth Amendment.

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Mike Flanagan Adores IP, Eyes ‘Jaws' and ‘Jurassic Park': “I Thought I Wouldn't Do Franchises or Sequels, and Whoops”

The guy behind "Oculus," "Midnight Mass" and "Hush" (still his best) used to do his own thing. Now? "Carrie" is streaming, "The Exorcist: Martyrs" has a trailer, and two more King adaptations are on the way.

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‘Other Mommy’ Gets a Rare (and Very Bad) D+ CinemaScore

It's been a rough week at the movies. "Other Mommy" is one of three bad films opening this week. The other two are Aaron Sorkin's sanctimonious ‘Social Reckoning,’ and Ben Affleck's baffling "Animals.”

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Brad Bird's ‘Ray Gunn' Gets Mixed Reviews Out of Its BFI London Film Festival Premiere

This sucks. Brad Bird's “Ray Gunn” finally had its world premiere at the BFI London Film Festival tonight, and the reviews are in. The consensus? Mixed. Not a disaster, not a triumph.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Alex Garlands Finally, Somewhat, Admits to Ghost Directing ‘Dredd'

April 16, 2025 Jordan Ruimy

Well, it’s about time.

Alex Garland recently opened up, via an interview with GQ Magazine, that he quietly stepped into the director’s role on a film he originally wrote—fueling long-standing speculation that he was the uncredited force behind 2012’s “Dredd.”

In truth, what happened, just to be candid about it, look, a lot of time has passed, I did end up […] doing ghost-directing. Something would be going wrong, or I would feel something was going wrong, and I saw the execution of scenes, and I would be thinking, ‘That’s not really what that scene is like, it’s missing this key component part, and it doesn’t quite make sense to me.’ I could also see when the film was released that people didn’t care whether that key component was there or not, but I cared.

Garland has a long history as a screenwriter, including notable collaborations with director Danny Boyle on films like “28 Days Later.” He also penned Never Let Me Go, directed by Mark Romanek. Still, the field narrows when it comes to which projects he might have covertly directed—none more speculated than “Dredd.”

The rumor mill around “Dredd” has circulated for years, suggesting that Garland, frustrated with how things were unfolding with credited director Pete Travis, eventually took over most of the production, directing reshoots and shaping the final product. Garland never received official directing credit, but hints of his involvement have persisted.

In fact, actor Karl Urban, who starred as the titular Judge Dredd, reinforced that theory in a 2018 interview with JoBlo, saying, “A huge part of the success of ‘Dredd’ is, in fact, due to Alex Garland and what a lot of people don’t realize is that Alex Garland actually directed that movie.”

Although initially met with lukewarm critical reception and a dismal performance at the box office, Garland’s “Dredd” has steadily ascended to cult classic status, buoyed by the fervent support of fans who discovered it through home video, VOD, and streaming platforms. A bold reimagining of the 1990s “Judge Dredd” —a far more conventional action vehicle headlined by Sylvester Stallone— “Dredd” distinguished itself as a stark, uncompromising, and vastly superior interpretation of the source material.

Visually arresting and tonally unflinching, the film carved out a space of its own within the sci-fi genre, elevated by Paul Leonard-Morgan’s pulsating, cybernetic score, which injected a hypnotic, avant-garde pulse into the film’s neon-drenched brutality. It was a singular work—visionary in execution and unapologetically stylized.

← ‘28 Years Later’ Trailer Drops ..Bradley Cooper’s ‘Is This Thing On?’ Wraps Production; Eyeing Fall Release →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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