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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jane Schoenbrun’s ‘Teenage Sex and Death at Camp Miasma’ Starts Shooting in May

March 28, 2025 Jordan Ruimy

After the critical success of last year’s “I Saw the TV Glow,” Jane Schoenbrun’s next film will again be tackling the horrors of media, culture and identity.

According to Production Weekly, the ‘TV Glow’ auteur is set to shoot “Teenage Sex and Death at Camp Miasma” in May. The film has been described by Schoenbrun as “Portrait of a Lady on Fire” set in a “Friday the 13th” sequel.”

We also now have a synopsis of the film, and it sounds as batsh*t crazy as Schonebrun’s last two films (via Production Weekly)

An exploration of the teen sleepaway camp slasher genre and all of the gender trouble inherent in it. About a queer filmmaker who is hired to direct a new installment of a long-running slasher franchise. The director fixates on the prospect of casting the ‘final girl’ from the original movie, and the two women descend into a frenzy of psychosexual mania.

Schoenbrun had previously told Filmmaker Magazine that the film would “both honor and critique” the “gender deviance” connected with the serial killer genre, exploring how films “created and codified an idea of transness as monstrous.”

“I Saw the TV Glow” grossed $4M at the domestic box office — its budget was said to be around $5M. The film was showered with rave reviews; Hell, even Martin Scorsese heaped praise on it, calling ‘TV Glow’ “emotionally and psychologically powerful.”

Even after just two films, Schoenbrun’s cinematic obsessions are quite clear: young people struggling with identity in the digital age. After “We’re All Going to the World’s Fair,” Schoenbrun yet again tackled media consumption overload and the moving images that can possess young minds.

← David Fincher’s Next Film To Star Brad Pitt — A Mystery Sequel [Updated]‘Alto Knights’ Producer Claims It Will Age Well, Like ‘Goodfellas' →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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