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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Leonardo DiCaprio to Star in Martin Scorsese’s ‘Home’

March 10, 2025 Jordan Ruimy

Martin Scorsese keeps piling up the projects.

As I had exclusively reported a few months back, Scorsese’s “Home,” an adaptation of Marilynne Robinson’s acclaimed novel, had been acquired by Apple Studios and an A-list star was attached in the lead role.

Now we have Publisher’s Weekly confirming Leonardo DiCaprio’s casting, he’s set to star, and Todd Field’s involvement as writer-producer. Apparently, more details about this project are imminent:

Apple Original Films will develop Marilynne Robinson’s Gilead novels, with Martin Scorsese attached to write, direct, and produce, alongside filmmaker Todd Field, following a deal brokered by Ellen Levine of Trident Media Group and Susan Schulman of the eponymous literary agency.

Field, a multi–Academy Award nominee, is slated to produce alongside Scorsese’s Sikelia Productions, DiCaprio’s Appian Way Productions, and LBI Entertainment, the firm run by Scorsese and DiCaprio’s talent manager, Rick Yorn.

Details have not yet been released about plans to adapt the remaining books in Robinson’s trilogy, but a year-old interview had Field confirmed as directing “Gilead,” and Kent Jones helming “Jack.”

The project is currently in development, and given DiCaprio’s busy schedule, which includes shooting Damien Chazelle’s next film in the summer, and promoting Paul Thomas Anderson’s latest, I wouldn’t expect this one to shoot anytime soon.

“Home” will probably be a more intimate film for Scorsese, not as epic as his 21st century output, most of which were these big-budget, 3-hour epics. I presume this will be a very faithful retelling of Robinson’s prize-winning novel, which is a meticulous character study. Here’s the synopsis:

The Reverend Boughton’s hell-raising son, Jack, has come home after twenty years away. Artful and devious in his youth, now an alcoholic carrying two decades worth of secrets, he is perpetually at odds with his traditionalist father, though he remains his most beloved child. As Jack tries to make peace with his father, he begins to forge an intense bond with his sister Glory, herself returning home with a broken heart and turbulent past.

As for what Scorsese’s actual next project will be, it’s anybody’s guess. Scorsese is attached to numerous ones, all of which are in development. There’s “Home,” but also his recently announced untitled Hawaiian crime boss movie, starring DiCaprio, Dwayne Johnson, and Emily Blunt. Netflix is the current frontrunner to acquire the rights to that project.

We also shouldn’t forget other Scorsese projects such as “Devil in the White City,” “The Life of Jesus,” “Sinatra,” and, the least likely to happen, “The Wager.” Regardless, Scorsese, 82, needs to get going, he’s not getting any younger, and only has so many years left to tell these stories.

← Kristen Stewart Exits Albert Serra’s ‘Out of This World’John McTiernan Would Love to Direct an Indie Action Movie Because “Studios Died 25 Years Ago” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

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