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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Source: Mel Gibson’s ‘Resurrection of the Christ’ Shot With IMAX Cameras — 11-Month Shoot Wraps in June 2026; $250M+ Budget

December 26, 2025 Jordan Ruimy

A few days ago, a reader sent me a tip about the ultra-secret shoot of Mel Gibson’s “The Resurrection of the Christ,” which is currently taking place at Rome’s famed Cinecittà Studios.

I eventually reached out to a handful of sources and confirmed that Gibson’s plan, a few months before production was set to begin, was for the film to be at least partially shot using IMAX cameras. This would suggest that a deal has been struck for the film to receive a wide IMAX release in 2027.

The project is being made as two separate films, with each part reportedly budgeted at about $100–$125 million per installment. That means the combined production budget for both parts is around $250 million — making it by far the most expensive film (or films) Gibson has ever directed.

One source tells me there will be a significant amount of VFX used in the film, which Gibson has described as “super ambitious” and “an acid trip,” featuring angelic and demonic battles and Christ’s descent into hell — a semi-accessible thrill ride designed to justify the massive budget.

More curiously, to avoid “alienating” audiences — and unlike the original — the dialogue will reportedly be in English rather than Aramaic or Hebrew.

Furthermore, given the size and scope of the ambitious story being tackled, the shoot, which began in October, is expected to bleed into the following year and only wrap in June 2026, according to a handful of crew members I spoke with over the past several days.

As previously reported, original leads Jim Caviezel and Monica Bellucci will not be returning. In their place, relatively lesser-known talents take the reins: Finnish actor Jaakko Ohtonen plays Jesus, Cuban actress Mariela Garriga is Mary Magdalene, Polish-born Kasia Smutniak portrays Mary, Italy’s Pier Luigi Pasino is Peter, and Riccardo Scamarcio takes on Pontius Pilate. Rupert Everett remains a mysterious addition.

Lionsgate has dated “The Resurrection of the Christ” as a two-part release. Part One is set to open on March 26, 2027 (Good Friday), with Part Two following exactly 40 days later on Thursday, May 6, 2027 (Ascension Day).

← Terry Gilliam Says Taika Waititi’s ‘Time Bandits’ Series “Failed” Because “There Were No Dwarfs”Report: Stephen Graham Joins Michael Mann’s ‘Heat 2’ →

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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