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Morgan Freeman Says He’ll Overlook a Mediocre Script “If They’re Going to Pay You Enough”

Freeman is far from retired. Case in point, all the straight-to-VOD movies he’s been making these past 10 years. Scrolling through his filmography, the last true “Hollywood” year Freeman had was in 2016.

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David Fincher’s ‘Cliff Booth’ Reshoots Set for August — Jeff Cronenweth to Replace Erik Messerschmidt as DP

The film had actually wrapped its six-month production in January 2026, and it’s been in post-production for the last eight months. Fincher is well known for taking his time in the editing room.

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‘Michael’ Sequel Targets Late 2027/Early 2028 Release

Lionsgate CEO Adam Fogelson has given an update on the “Michael” sequel, the studio’s blockbuster Michael Jackson biopic, which hit $1 billion at the box office this year.

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Sam Neill’s Final Role Will Be in ‘The Legend of Zelda’

Sam Neill had filmed four projects back-to-back over the past year, all of which would be released in the coming months, including “The Legend of Zelda.”

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Gareth Edwards Exits ‘Jurassic World’ Sequel Due to “Creative Differences”

Universal and Amblin are moving forward with the next ‘Jurassic World’ movie, but Gareth Edwards is not expected to return as director following “creative differences.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paramount Isn’t Backing Off: New Hostile Bid for Warner Bros. Discovery, Larry Ellison Steps In

December 22, 2025 Jordan Ruimy

As expected, Paramount isn’t backing down. If anything, it’s pushing harder, trying to force Warner Bros. Discovery into a corner — and this time it’s playing its biggest card yet.

On Monday, Paramount rolled out a revised hostile bid and, in the process, brought Larry Ellison fully into the picture. The Oracle founder, and father of Paramount CEO David Ellison, has agreed to personally guarantee the entire $40.4 billion equity portion of Paramount’s proposed $78 billion takeover. That’s not subtle. This is Paramount attempting to vaporize WBD’s repeated claims that the deal’s financing is shaky.

And make no mistake, this is a serious guarantee. If the transaction somehow implodes, Ellison would be on the hook for roughly a sixth of his estimated $250 billion net worth. Paramount is also cracking open the books on the Ellison family trust, letting shareholders see exactly what’s there — another very deliberate response to WBD’s skepticism.

Before this latest offer occurred, Warner Bros. Discovery’s board hadn’t been impressed. They’ve rejected Paramount’s bid multiple times, instead backing a rival proposal from Netflix that they say delivers superior value. In plainer terms, the board has accused Paramount of misleading shareholders and leaning on what it previously called “illusory” financing.

Paramount’s counteroffensive is clearly aimed at that critique. Alongside Ellison’s personal backstop, the company confirmed that the family trust — which Ellison has now agreed not to revoke — holds 1.16 billion Oracle shares. That detail directly addresses questions the WBD board raised about whether the trust could actually support a deal of this size.

Paramount also matched Netflix where it hurts: the breakup fee. It’s now offering $5.8 billion if the deal collapses, up from $5 billion, bringing it in line with Netflix’s own penalty should its agreement with WBD fall apart.

What hasn’t changed is the valuation. Paramount is still offering $30 per WBD share, a price that includes CNN and the company’s full slate of cable assets. And while Netflix’s bid comes in lower at $27.75 per share, the argument from Netflix and WBD is that spinning off those cable networks will ultimately unlock more value.

Now, this is far from over. I fully expect WBD to reject this offer as well — and I also expect Ellison to come back with a higher per-share number. If that happens, Netflix’s supposedly “done” deal suddenly starts looking a lot less secure, at least in my estimation.

The WBD board has about ten business days to formally respond. That said, if history is any guide, we won’t be waiting that long. Like the last time around, I’d expect leaks to start surfacing well before any official announcement if the board is even remotely entertaining Paramount’s proposal.

Paramount’s biggest unresolved issue remains the same. WBD has been openly uneasy about how much of the financing relies on capital from Gulf royal families in Saudi Arabia, Qatar, and Abu Dhabi. The board has repeatedly questioned why Larry Ellison — one of the richest people on Earth — needs that level of outside support to close the deal.

At this point, it’s a staring contest. And Paramount is betting that putting Larry Ellison’s fortune front and center will finally make WBD blink.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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