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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Uh-Oh: ‘Avatar: Fire and Ash’ $24M Friday — $85M+ Weekend; Readers’ Thoughts?

December 20, 2025 Jordan Ruimy

It was not a great start Thursday and Friday for “Avatar: Fire and Ash,” which is on pace to make $50M less than its predecessor, “The Way of Water,” on opening weekend. Uh oh.

That’s a $24M Friday for ‘Fire and Ash.’ This one is set to debut at $85M+ domestically by Sunday. Its worldwide numbers are expected to land around the $340M-$350M mark, which is a little less than what was expected yesterday.

In contrast, ‘The Way of Water’ opened with $134M domestically and eventually earned $2.3 billion worldwide, making it the third-highest-grossing film ever. ‘Fire and Ash’ will need those legs.

The biggest hurdle for it is that it’s the least well-received instalment of the franchise by critics. The good news is that the film earned an “A” CinemaScore grade, which means it does have a shot at word-of-mouth-driven legs. Next weekend will be very interesting and could very well signal whether this $400M+ costing movie will make a profit for Disney.

Now, it’s your turn, our readers, to weigh in on this film, what did you think? Is the critical consensus correct in assuming that this is the weakest film of the franchise? It's currently tally is a lukewarm 59 on Metacritic and 67% on Rotten Tomatoes,

My thoughts? The most accurate word to describe this third entry in the franchise is dull. I say that reluctantly, because I genuinely wanted to like this movie. Sadly, I’m just not that into ‘Avatar’ as a whole. What Cameron delivers feels like The Way of Water 2.0, beat for beat, only longer, louder, and far more exhausting. It’s the kind of sequel that makes you wonder whether this saga has finally run out of oxygen—unless, of course, it clears another $2 billion at the box office, in which case Avatar 4 is all but inevitable.

Post your reviews in the comments below.

← Lars Eidinger to Play Brainiac in James Gunn’s ‘Superman: Man of Tomorrow’Timothée Chalamet Is Now a Rapper, and His Oscar Campaign Just Got Weirder →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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