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Duncan Jones Says Netflix's Auteur Era Is Dead and “It's About to Get Worse”

The prime catalyst for Netflix's risk-free shift may have been new content chief Dan Lin, who said two years ago that the company would greenlight films "more about audience, and less about auteurs."

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Do We Really Need Another ‘Sense and Sensibility'? Critics Say Georgia Oakley's 2026 Version Mostly Works

Apparently, we haven’t had enough of “Sense & Sensibility.” Georgia Oakley, coming off the quiet indie success of “Blue Jean,” is taking a swing at Jane Austen’s oft-adapted classic, with Daisy Edgar-Jones.

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BREAKING: Paramount Settles With 12 State AGs, Clearing Path to $111 Billion Warner Bros. Discovery Merger

Well, that didn't take long. Paramount has struck a deal with the 12 state attorneys general who sued to block its acquisition of Warner Bros. Discovery.

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Jeremy Saulnier’s ‘Slayground’ Teaser Is a Total Misdirection, but Is It Really Coming “This Fall"?

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tom Cruise Will “Surprise the World,” Says Alejandro G. Iñárritu About His Mysterious New Film

October 3, 2025 Jordan Ruimy

One of the most anticipated films of 2026 will surely be Alejandro González Iñárritu’s untitled project starring Tom Cruise — though its working title is “Judy.”

Iñárritu is directing his first English-language film since 2015’s “The Revenant,” which earned Leonardo DiCaprio his first Oscar. The Mexican-born filmmaker recently spoke with Anne Thompson about his upcoming project and revealed some intriguing new details.

The film was shot on 35mm VistaVision by three-time Oscar winner Emmanuel Lubezki and, according to Iñárritu, will be released “sometime next fall.” The director is currently in the editing room.

We’re going to finish in February, March […] We still have a long way to go in post-production.

Wrapping in March leaves a slim chance the film could premiere at Cannes in May, where Iñárritu has previously screened three of his works: “Amores Perros,” “Babel,” and “Biutiful.” Then again, Warner Bros might wait it out, and opt instead for a Venice premiere, which would be just a month before its October release date.

On working with Cruise, Iñárritu described it as “the most amazing, unexpected, sweet, gentle relation that I have had on a set.” He added:

His manners, his understanding, his passion, and his integrity, and the way he prepares. He loves the process. Filmmaking has been his life for 40 years. I have never seen somebody so devoted. I was happy to share with him that passion. And at the same time, we built an incredible relation of mutual trust. He will surprise the world.

Iñárritu says audiences can expect a “new kind” of film and praised the rest of the ensemble, which includes Riz Ahmed, Sandra Hüller, John Goodman, and Jesse Plemons.

We had a blast. It was challenging, but it was wild comedy. And we laughed a lot. We had a wild time.

Though plot details remain scarce, the story reportedly follows a powerful global figure (Cruise?) racing to convince the world he’s its savior—before the catastrophic consequences of his own actions bring about widespread destruction.

Iñárritu co-wrote the screenplay in 2023 with longtime collaborators Nicolás Giacobone and Alexander Dinelaris—both of “Birdman”—alongside writer Sabina Berman. This new film marks Iñárritu’s return to directing following “Bardo,” which premiered at the 2022 Venice Film Festival to mixed reviews. His acclaimed filmography includes “Birdman,” “The Revenant,” “Amores Perros,” “21 Grams,” and “Babel.”

← ‘Fast & Furious 11’ Stuck in Limbo as Universal Demands $140M Budget CutsJason Bateman Set to Direct ‘The Partner’ With Tom Holland in Lead Role — Based on John Grisham’s Novel [Updated] →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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