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Tom Holland to Star in Drew Pearce's Thriller ‘Penthouse’ for Sony — and I'm Still Not Convinced He’s a Movie Star

I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.

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Netflix Fires Film Chief Dan Lin

Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.

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Jesse Eisenberg Says He “Couldn’t Get Movie Studio Roles” After Winning a Razzie for ‘Batman v Superman’

Ten years later, Jesse Eisenberg says the backlash behind his Lex Luthor, and the Razzie that came with it, changed the course of his career, and led him to directing.

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Peter Jackson Says His Next Film Is ‘Tintin 2,' but Who's Paying for It?

Peter Jackson is back. Twelve years after his last narrative feature, he's confirmed his next directing gig, and it's the ‘Tintin’ sequel that everyone had pretty much given up on.

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Taika Waititi Says His ‘Star Wars' Movie Has Been “Put on Ice"

This was inevitably going to happen. Taika Waititi's long-gestating "Star Wars" movie — first announced by Lucasfilm on May the 4th, 2020 — has been "put on ice."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘A House of Dynamite’ Slammed by Pentagon as “Fictional”

October 28, 2025 Jordan Ruimy

The Pentagon is apparently not a fan of Netflix. After throwing shade at the streamer’s “Boots,” the U.S. Department of Defense is now criticizing Kathryn Bigelow’s “A House of Dynamite,” which dropped on Netflix last Friday.

According to Bloomberg, the DoD’s Missile Defense Agency sent out an internal memo on October 16th, claiming ‘House of Dynamite’ gets the facts about missile defense all wrong: “The fictional interceptors in the movie miss their target and we understand this is intended to be a compelling part of the drama intended for the entertainment of the audience,” but results from real-world testing “tell a vastly different story.”

In the movie, a missile heading for Chicago has just a 50% chance of being intercepted. The Pentagon claims that to be wildly off. The memo insists that America’s multibillion-dollar hit-to-kill systems have “displayed a 100% accuracy rate in testing for more than a decade.”

“The numbers tell us what is occurring and we need to know,” a well-positioned military official told Deadline today of the DoD’s assertion. “The results are very very good, with the program scheduled to grow over the next decade.”

‘Dynamite’ screenwriter Noah Oppenheim, a former NBC News exec, politely disagrees. Speaking to MSNBC, he said, “I welcome the conversation. I’m so glad the Pentagon watched—or is watching—and is paying attention, because this is exactly the conversation we want to have.” Bigelow and Oppenheim also point out that they did consult multiple tech advisers with Pentagon experience, just none from the current administration. Bigelow adds she deliberately kept the Pentagon at arm’s length to maintain creative independence.

The film unfolds Rashomon-style, slicing the story into three perspectives within the U.S. government as an unidentified nation lobs a nuclear missile toward American soil. The truly terrifying thing isn’t just the threat itself—it’s the staggering incompetence on display, which must have irked the Pentagon to no end. Everyone—from the President to national security advisors—is fumbling in the dark, and if that missile is really coming, the odds of shooting it down with a counterstrike are slim to none.

We’re all teetering on the brink of catastrophic oblivion, Bigelow and Oppenheim seem to be saying, and not in a vague, metaphorical way. Our capacity to defend the film’s targeted city, Chicago, or to strike back at whoever might be launching these missiles is, in a word, pathetic.

What’s not up for debate? The world still has about 12,300 nuclear weapons spread across nine countries—enough to destroy life on Earth many times over.

← ‘The Voice of Hind Rajab’ Finds Distribution via WILLA — Sets December Release DateRichard Linklater Says the ‘90s Was the “Last Great Era for Studio Movies” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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