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Duncan Jones Says Netflix's Auteur Era Is Dead and “It's About to Get Worse”

The prime catalyst for Netflix's risk-free shift may have been new content chief Dan Lin, who said two years ago that the company would greenlight films "more about audience, and less about auteurs."

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Do We Really Need Another ‘Sense and Sensibility'? Critics Say Georgia Oakley's 2026 Version Mostly Works

Apparently, we haven’t had enough of “Sense & Sensibility.” Georgia Oakley, coming off the quiet indie success of “Blue Jean,” is taking a swing at Jane Austen’s oft-adapted classic, with Daisy Edgar-Jones.

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BREAKING: Paramount Settles With 12 State AGs, Clearing Path to $111 Billion Warner Bros. Discovery Merger

Well, that didn't take long. Paramount has struck a deal with the 12 state attorneys general who sued to block its acquisition of Warner Bros. Discovery.

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Jeremy Saulnier’s ‘Slayground’ Teaser Is a Total Misdirection, but Is It Really Coming “This Fall"?

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Woody Allen Admits “Problems With Financing" His Next Film

October 2, 2025 Jordan Ruimy

Woody Allen has insisted he still has one more great film in him. Not too long ago, he even claimed to have “one of the best ideas” he’s ever had, and only needed proper funding to make it happen. In February 2024, during a conversation with Spanish filmmaker David Trueba, Allen hinted he might shoot something in Italy as early as the fall.

But a few months later, I reported that those plans quietly fell apart. I’d been tracking the project for some time, and it became clear that it had been shelved unless a last-minute backer came along. The issue, as always, was money — Allen simply didn’t have the financing.

Now, in a new interview with EL PAÍS, Allen admits he’s having “problems with financing.” Producers want to “know the plot” and “which stars” he’ll cast, conditions he has no interest in entertaining.

“For now, I write,” he explained in another interview to El Mundo. “And when I can finance a film on my terms, I will make a movie. But the conditions are set by me. They have to buy into my vision, and if they do, I'll make the film. I rule out anyone interfering in my work and coming with demands about who should be in it and how they should be portrayed, for example. If the latter happens, I assume there won't be a movie.”

It’s a position Allen has repeated many times: he’ll make films as long as someone is willing to bankroll them, but he won’t compromise. That support is unlikely to come from Hollywood, where Allen remains persona non grata, and even European partners, who financed his last several projects, may be pulling back.

His most recent film, “Coup de Chance,” premiered at Venice two years ago. Shot in French and set in Paris, it marked his 50th feature and earned his best reviews in a decade. It was a reminder that Allen, even at 90, is still capable of delivering sharp, well-crafted work.

Beyond cinema, he’s been busy: he premiered a new play in Budapest, “Brooklyn Tale,: about a gangster, his wife, and a stolen painting, and published his debut novel, “What’s With Baum?,” which has received warm notices.

At this stage, whether Allen makes another film will depend entirely on financing. But his wit, eye for storytelling, and collaboration with master cinematographer Vittorio Storaro suggest he hasn’t run out of steam just yet. For now, it’s a waiting game.

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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