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Ken Russell's ‘The Devils' Extends Theatrical Run Indefinitely (!) After $3.3M Box Office Surprise

Nobody expected a 55-year-old NC-17 movie to be one of the surprise box office stories of the fall. Yet here we are, and this absolutely puts a smile on my face.

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‘Sunrise on the Reaping’ First Reactions Are Very Positive

Of course, we all know the rule: take these reactions with a grain of salt rather than treating them as gospel. Still, I will say that the film tested like gangbusters earlier this year, and Lionsgate clearly has confidence.

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‘Compassionate Release': Christopher McQuarrie's First Non-Tom Cruise Film in 25 Years Stars Denzel Washington, Taps ‘In Bruges' DP Eigil Bryld

Bryld shot "In Bruges," "The Holdovers" and "House of Cards." That seems like the right fit for what is a smaller, character-driven crime story, and a change of pace for McQuarrie after years of stunt-heavy theatrics.

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James Gunn Says DCU Batman Casting “Isn't Very Far Off” — Do We Really Need Two Batmen?

Right now, the cleanest path is to let Reeves finish his trilogy and bring in the new guy once the dust has settled. Gunn clearly hasn’t gotten the memo.

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Taylor Russell Joins Brady Corbet's ‘The Origin of the World'

Taylor Russell has joined Brady Corbet's "The Origin of the World." She is now part of an already impressive cast which includes Cate Blanchett, Michael Fassbender, Selena Gomez, Lily McInerny and Joe Alwyn.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix Boss Says Theatrical Release is “Inefficient" Way to Distribute $200M Movies

September 17, 2024 Jordan Ruimy

This is wild. Here’s Netflix CEO Ted Sarandos, at a TV industry gathering in London, trying to make the case that streaming is the way to go for big-budget movies, and not theatrical.

Sarandos claims that the streamer doesn’t feel the business need to recoup film investment in cinemas, he explained. “It’s unique to Netflix that we have enough scale,” Sarandos said. “We can uniquely spend $200 million on a film and have enough scale of viewership to put it directly on Netflix without trying to recover some of the economics in the theater, which I think is a fairly inefficient way to distribute some movies.”

Essentially, Sarandos is all about viewership and subscription numbers. Spending $200M on a movie, which makes no money back, and just gets “views,” is the way to go. He has no interest in theatrical exhibition, and he’s really going to die on this hill. A film being financially successful is besides the point, according to Sarandos.

Of course, it’s not just about “views” with Netflix — they make a good chunk of their profits off of ad revenue and subscriptions. Meanwhile, Netflix’s business numbers rely heavily on the stock going up. Their main concern isn’t necessarily making their money back on a $200M+ movie.

Yet, Sarandos is also leaving a TON of money on the table. The media treats every streamer misstep as a pinata to swing at, except for Netflix. A recent report claimed that with a P&A spend, “Glass Onion: A Knives Out Mystery” could have grossed $600M in global box office if it had received a normal theatrical rollout.

Netflix has another opportunity to make amends by releasing the next ‘Knives Out’ installment, ‘Wake Up Dead Man’ in theaters, where it belongs. However, most believe Netflix will not be doing that — they have a “strategy,” and it doesn’t involve theatrical exhibtion.

What Sarandos/Netflix are essentially doing is killing cinema, that’s their end goal. Don’t kid yourselves otherwise. They would like nothing more than to have theatrical die and be turned into the big game in town. The fewer people that go to cinemas, the more successful Netflix gets. They have no desire to help the movie ecosystem.

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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