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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Megalopolis' U.S. Poster Continues Weird Marketing Campaign

August 20, 2024 Jordan Ruimy

We are five weeks away from Francis Ford Coppola’s “Megalopolis” hitting theaters, on September 27. Lionsgate is distributing the film with Coppola in charge of financing of the marketing.

Speaking of marketing, it’s been rather tame. It’s very hard to promote a film without a studio, that’s a given, and Coppola’s recent hiring of Utopia to help him out is a clear sign that he needs the help. According to Deadline, Utopia’s task is to “implement specialty marketing, word-of-mouth, and non-traditional theatrical distribution initiatives targeting moviegoers”.

I’m slightly worried. The below Twitter/X conversation tells me that the “Megalopolis” team will be heavily relying on the film’s eccentric nature. Notice, there’s a 7-month gap between both comments.

So, what is “Megalopolis” about? It’s complicated. There are so many plot lines jammed into this 135-minute epic that just a single viewing of Coppola’s film can feel damn-near overwhelming. Here’s a summation of what I gathered, based on my first watch at Cannes:

Adam Driver plays Caesar, who is a tortured architectural genius.  Lawrence Fishburne, who plays his chauffeur, narrates the story with biblical and Roman-inspired quotes. “Megalopolis” is, at its core, a love story between Natalie Emmanuel’s Julia and Driver’s Caesar. She’s the daughter of his political rival (Giancarlo Esposito). Tensions arise with Caesar’s vision of rebuilding New Rome (which is basically New York City) into a self-sustaining utopia filled with high technological advancements. The mayor wants the status quo and believes the changes Caesar want to make will bring about chaos.

Meanwhile, Aubrey Plaza plays a rival love interest of Caesar’s and, I kid you not, her character’s name is Wow Platinum. She’s a promiscuous gold digger who gets very jealous when Julia enters the picture. Wow decides to scheme and take down Caesar with the help of wild playboy Clodio Pulcher (Shia LaBoeuf, in drag). Jon Voight also shows up as billionaire Hamilton Crassus III, Clodio’s grandfather, who ends up marrying Wow — she plans to annul the prenup and then, obviously, kill him. That doesn’t seem to turn off Hamilton, who ends up showing her his massive erection.

I’ll be catching the film again at TIFF next month. They should have actually screened “Megalopolis” as a Midnight selection. The film has cult status written all over it, and I find that’s the type of audience the marketing should be aiming towards.

Of note, the official U.S. poster has been released for “Megalopolis” and I don’t believe it does Coppola, nor the film, any favors in luring audiences to see this one.

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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