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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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2024 Fall Movie Preview: What Film Are You Most Looking Forward To?

August 2, 2024 Jordan Ruimy

Fall film festival season is less than a month away. I’ve narrowed down the hundreds upon hundreds of films that will likely screen in September (and October) at Venice, Telluride, Toronto and New York, to the bare essentials.

Now that we, more or less, know what’s showing up at these fests, with Venice and TIFF having announced their lineups, and the assumption that a few titles — including Reitman’s “Saturday Night” — will be added shortly, here’s a poll question to end the week. What is the one film, set to premiere in the fall, that has you the most excited to see?

There’s a lot of talk about this being a weak year for cinema, and Oscar-buzzed titles, and maybe it is, but there’s still a lot to look forward to. I found many films that show great promise, from esteemed filmmakers like McQueen, Almodovar, Eggers, and Guadagnino.

Some noteworthy films from Cannes will also be released in the fall: Sean Baker’s “Anora,” Jacques Audiard’s “Emilia Perez,” Coraline Fargeat’s “The Substance,” Francis Ford Coppola’s “Megalopolis,” Mohammad Rasoulof’s “The Seed of the Sacred Fig” and Payal Kapadia’s “All We Imagine As Light.”

Then there’s four big titles that will be skipping Toronto, Telluride and Venice. They’re all getting released in November/December and will be hidden from critics and audiences until we get closer to their release dates:

Robert Eggers’ “Nosferatu”
James Mangold’s “A Complete Unknown”
Ridley Scott’s “Gladiator II”
Robert Zemeckis’ “Here”

Then you have the follow 30 titles, set to be unveiled at one, if not all, of the September fests. Many of these you will likely be hearing a lot about in the coming month or two.

Luca Guadagnino’s “Queer”
Steve McQueen’s “Blitz”
Pedro Almodovar’s “The Room Next Door”
Todd Phillips’ “Joker: Folie a Deux”
Brady Corbet’s “The Brutalist”
Edward Berger’s “Conclave”
Jason Reitman’s “Saturday Night”
Justin Kurzel’s “The Order”
RaMell Ross’ “Nickel Boys”
Pablo Larrain’s “Maria”
Marielle Heller’s “NightBitch”
Halin Reijn’s “Babygirl”
Morgan Neville’s “Piece by Piece”
Walter Salles’s “I’m Still Here”
Ron Howard’s “Eden”
Malcolm Washington’s “The Piano Lesson”
Mike Leigh’s “Hard Truths”
Joshua Oppenheimer’s “The End”
Jon Watts’ “Wolfs”
McGee and Siegel’s “The Friend”
Michael Gracey’s “Better Man”
David Gordon Green’s “Nutcrackers”
Harmony Korine’s “Baby Invasion”
Mike Flanagan’s “The Life of Chuck”
Gia Coppola’s “The Last Showgirl”
Beck and Woods’ “Heretic”
Chris Sanders’ “The Wild Robot”
Tim Burton’s “Beetlejuice Beetlejuice”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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