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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kenneth Lonergan Slams Agenda-Driven Hollywood: “Propaganda Makes Bad Films"

July 31, 2024 Jordan Ruimy

Here’s a lengthy and fascinating interview with filmmaker-playwright Kenneth Lonergan. He’s currently in Portugal where he just gave a masterclass to cinema students.

A big chunk of the Lonergan interview (via Observador) has to do with the downfall of U.S. filmmaking, and he’s not even blaming Marvel, or franchises, but rather taking his aim at the more serious-minded films.

It’s no big secret that American filmmaking got much more politically-minded during the Trump era — the shift started sometime in 2015/2016. With that came the need to be less offensive, less edgy, in terms of storytelling and character. As a whole, Hollywood is now too scared to offend. Welcome to the era of PC and political messaging at the movies, and Lonergan is sick and tired of it:

We are in the era of “messages” through fiction. It's a very irritating time, I hope it stops. The problem is with people who say they are always on the right side. Propaganda makes bad films. American cinema should steer far away from that — when political agendas get involved in cinema then it becomes too simplistic. The films become an opinion and not a story. Having a point of view is different from conveying a message through a film. You are then forced to manipulate the characters and make them say things they shouldn't be saying. A political film can do a great service, but it has to be good […] Right now we're in the age of messaging, and the stuff is bad. It seems to me that people are getting fed up.

Lonergan stops short of using the term “woke,” but he sure as hell implies it to be his main issue with today’s cinema. I’m glad he didn’t use that word. It’s too simplified, the substance gets lost in the argument when “woke” gets used to make a point.

What I do know is that we’re living in very interesting and radically different times. Back in the ’90s, even ten years ago, it was such a different spectrum, and now political theory has snuck into so much of what we see. Hell, even film criticism has suffered because of it.

Even though art should be political in a way, it should also be subtle, and not hammer its message down your throat, and Lonergan does mention that politics should never be a priority instead of telling a good story.

Back in 2023, Quentin Tarantino elaborated further. He called these last 10 years, “the worst time ever for movies” and his reasonings were fairly similar to Lonergan’s:

There has become a thing that’s gone on [today], especially in this last year, where ideology is more important than art. Ideology trumps art. Ideology trumps individual effort. Ideology trumps good. Ideology trumps entertaining.

Tarantino conveyed the sense that films, and studios, now talk down to the viewer with forced-upon political lessons, with some movies being used as platforms to promote personal political views, almost veering into borderline indoctrination.

The good news is that things are slightly, and slowly, starting to change. There’s been enough pushback from audiences that studios are reevaluating the way they should be telling a story. Hell, even Disney CEO Bob Iger recently confessed that the mouse house would “focus on entertaining, and not messages.” Whether that actually comes to fruition is a whole other story.

← Brad Pitt Eyed to Star in Jeff Nichols' ‘Land of Opportunity' [Update]Gina Carano Calls for Pedro Pascal to Testify at ‘Mandalorian’ Firing Trial →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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