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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kenneth Lonergan Slams Agenda-Driven Hollywood: “Propaganda Makes Bad Films"

July 31, 2024 Jordan Ruimy

Here’s a lengthy and fascinating interview with filmmaker-playwright Kenneth Lonergan. He’s currently in Portugal where he just gave a masterclass to cinema students.

A big chunk of the Lonergan interview (via Observador) has to do with the downfall of U.S. filmmaking, and he’s not even blaming Marvel, or franchises, but rather taking his aim at the more serious-minded films.

It’s no big secret that American filmmaking got much more politically-minded during the Trump era — the shift started sometime in 2015/2016. With that came the need to be less offensive, less edgy, in terms of storytelling and character. As a whole, Hollywood is now too scared to offend. Welcome to the era of PC and political messaging at the movies, and Lonergan is sick and tired of it:

We are in the era of “messages” through fiction. It's a very irritating time, I hope it stops. The problem is with people who say they are always on the right side. Propaganda makes bad films. American cinema should steer far away from that — when political agendas get involved in cinema then it becomes too simplistic. The films become an opinion and not a story. Having a point of view is different from conveying a message through a film. You are then forced to manipulate the characters and make them say things they shouldn't be saying. A political film can do a great service, but it has to be good […] Right now we're in the age of messaging, and the stuff is bad. It seems to me that people are getting fed up.

Lonergan stops short of using the term “woke,” but he sure as hell implies it to be his main issue with today’s cinema. I’m glad he didn’t use that word. It’s too simplified, the substance gets lost in the argument when “woke” gets used to make a point.

What I do know is that we’re living in very interesting and radically different times. Back in the ’90s, even ten years ago, it was such a different spectrum, and now political theory has snuck into so much of what we see. Hell, even film criticism has suffered because of it.

Even though art should be political in a way, it should also be subtle, and not hammer its message down your throat, and Lonergan does mention that politics should never be a priority instead of telling a good story.

Back in 2023, Quentin Tarantino elaborated further. He called these last 10 years, “the worst time ever for movies” and his reasonings were fairly similar to Lonergan’s:

There has become a thing that’s gone on [today], especially in this last year, where ideology is more important than art. Ideology trumps art. Ideology trumps individual effort. Ideology trumps good. Ideology trumps entertaining.

Tarantino conveyed the sense that films, and studios, now talk down to the viewer with forced-upon political lessons, with some movies being used as platforms to promote personal political views, almost veering into borderline indoctrination.

The good news is that things are slightly, and slowly, starting to change. There’s been enough pushback from audiences that studios are reevaluating the way they should be telling a story. Hell, even Disney CEO Bob Iger recently confessed that the mouse house would “focus on entertaining, and not messages.” Whether that actually comes to fruition is a whole other story.

← Brad Pitt Eyed to Star in Jeff Nichols' ‘Land of Opportunity' [Update]Gina Carano Calls for Pedro Pascal to Testify at ‘Mandalorian’ Firing Trial →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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