• Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_6794.jpeg
‘Evil Dead Burn’ Faces NC-17 Over “Brutal” Scene, Director Forced to Cut for R Rating
IMG_6789.jpeg
Clive Owen to Star in ‘The Tribe’ Director Myroslav Slaboshpytskyi’s ‘Radioactive’
IMG_6786.jpeg
Curry Barker Says Focus Will Mount an Oscar Campaign for ‘Obsession’
IMG_6784.jpeg
Paul Schrader Dismisses Spielberg’s ‘Disclosure Day’: “A Master Chef Makes a Soufflé Out of Leftovers”
IMG_6769.jpeg
Readers’ Poll: What Are the Best Films of 2026 So Far? (And Here’s My List)
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • Interviews
  • More
    • Yearly Top Tens

‘The Apprentice' Turned Down by Most Streamers and Studios: “It Humanizes Trump Too Much.”

May 31, 2024 Jordan Ruimy

Is it that surprising that nobody wants to even touch Ali Abassi’s “The Apprentice”? Studios and streamers alike are passing on the film as if it’s a landmine waiting to detonate. Maybe it is.

What did you expect? If the polarized reaction of yesterday’s Trump verdict is any indication, not to mention a cease-and-desist letter having been sent by the former President to ‘Apprentice’ producers, there is the possibility that audiences won’t get to see this film in 2024.

Puck’s Matt Belloni is reporting that the big four streamers (Netflix, Amazon, Disney+ and Apple) have all passed on the film. So have Searchlight, Sony Pictures Classics, Focus, A24, HBO and Lionsgate. They’re all a firm NO. Also, forget about Warner Bros, Paramount and Universal.

This doesn’t give ‘Apprentice’ producers much of an option. Neon wasn’t mentioned in Belloni’s writeup, but I doubt they’d want to touch this one as well, especially coming off a Palme d’Or win for “Anora.”

So, what are the options left? Vertical, Ketchup, Mubi, Utopia, Quiver, Roadside Attractions, Magnolia, or even Samuel Goldwyn. These aren’t companies who would likely buy and cover the $20 million cost it took to produce “The Apprentice.”

According to Variety, some U.S. distributors passed on “The Apprentice” because it “humanizes Trump too much.” Another buyer stayed on the sidelines because releasing the movie “will require inordinate legal resources”. But even those who are sitting out believe that Strong has a good shot at finding awards season traction for his performance. 

Honestly speaking, they should have just held this one off until next year, after the election, instead of rushing a not-so-final cut into Cannes competition. The film was decently received on the Croisette and currently has a 78% on Rotten Tomatoes, with some believing that Jeremy Strong is an Oscar contender for his supporting turn as Roy Cohn.

At Cannes, I asked “who would actually want to go see this film?” Is there an audience for “The Apprentice”? Sure, there will be some curiosity seekers, but being inundated with 24/7 wall-to-wall news coverage of Trump, every day and all day, these last 8 years has numbed people to no ends. The last thing audiences want is to pay $20 to watch more of that.

← McQuarrie/Cruise's ‘The Gauntlet' is Happening?Mahershala Ali Joins New ‘Jurassic World' Film →

FOLLOW US!

No results found

Trending

Featured
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”
IMG_6339.webp
Martin Scorsese’s $200M Hawaii Mob Movie Nears Greenlight as Major Rewrite Set to Be Submitted to 20th Century
IMG_6307.jpeg
Robert De Niro Teases “At Least One More” Movie With Martin Scorsese

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025