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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Despite ‘Barbenheimer,’ Oscar Ratings Remain Low (19.5 Million Viewers)

March 11, 2024 Jordan Ruimy

Last year around 19 million people watched the Oscars. This year’s telecast moved up an hour to 7pm, was driven by ‘Barbenheimer’ hype and only managed to bring in 19.5 million viewers— slightly better numbers.

However, this year’s telecast actually fell short in the key 18-49 demographic, with a 3.8 rating. By comparison, the 2023 telecast had a 4.0 rating in final tallies. That means this year’s show was down 5% in the most important demo.

Younger viewers just don’t care enough about the Oscars, or TV, for that matter, to tune in — they can also just watch the highlights on YouTube the day after. Even more concerning, the show is losing its core "loyal" audience, aged 50 and over, who grew up going to the movies, but are now more into streaming content at home.

Sure, Hollywood movies just aren’t as culturally relevant as they used to be. One can remember a time when Best Picture winners such as “Gladiator,” “Titanic,” “The Silence of the Lambs,” “Forrest Gump,” and “The Lord of the Rings” were actually seen by millions of Americans. Now? “CODA”? “Nomadland”? “EEAAO”? These just aren’t films that cracked popular culture in the same way the others did.

Then again, the problem with using this argument in 2024 is that the two most popular films from last year were nominated and had an immense presence at last night’s ceremony. “Barbeheimer” was a cultural phenomenon, but that, weirdly enough, didn’t translate into a highly-watched Oscar ceremony. So, what’s going on here exactly?

Isn’t it strange how, just ten years ago, in 2014, Oscar ratings reached an impressive 40 million viewers? When compared to last night’s telecast, that’s a loss of 22 million.

Maybe the biggest factor, when it comes to these low ratings, resides in watching the 1% showering the 1% with trophy love and that’s just not something that’s compatible with our current societal zeitgeist. Frankly, it kind of sounds absurd when you think about it. Seeing rich people, at a luxurious event, sprinkling each other with self-congratulatory masturbation just doesn’t add up anymore.

The Oscars are a relic from the past, when seeing celebrities wasn’t an everyday thing. We are a society oversaturated with celebrity content via social media, and thus there’s no excitement in seeing the stars. This is why I keep saying that the only way for an Oscar telecast to ever “work” again is if you hire Ricky Gervais to expose the absurdity of it all.

← ‘Origin' Team Complain They Were Not Invited to Neon's Oscar AfterpartyCate Blanchett Says “Trigger Warnings" Are Disrespectful →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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