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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Francis Ford Coppola Preparing the Final Film of His Career: “The Last One Will Be Immense"

October 10, 2024 Jordan Ruimy

I love Francis Ford Coppola’s persistence. He’s going to probably lose well over $100M on his “Megalopolis” gamble and yet he’s saying he has two more films he wants to make before he can safely say he’s retired — both he wants to finance himself.

When asked if he’s retiring during an AMA on his Instagram account, Coppola wanted to hear none of it, and reiterated that he has two films left to make before he can call it a day. In particular, he describes what he’s positioning as the very final film of his career, “Distant Vision,” as being more grandiose than “Megalopolis,” saying “the last one will be immense.”

Coppola recently described “Distant Vision” as “more ambitious than “Megalopolis.” He told La Liberation that the film, which he is still “grasping,” will be “shot entirely live,” and that it will be “much harder” to make than “Megalopolis.”

Coppola initially workshopped “Distant Vision” at UCLA, back in 2015, as a live cinema performance piece, produced over three weeks, in a 6,000-square-foot soundstage on Oklahoma City Community College’s campus. Coppola claimed to be pioneering a “brand new art form” with this work.

The film is said to be inspired by the old TV dramas Coppola grew up with during childhood— almost like filming a theater play with multiple cameras. Stephen Frears did something similar in 2000’s “Fail Safe.”

With that said, “Distant Vision” will not be Coppola’s next film. He’s currently prepping “Glimpses of the Moon,” a musical adaptation of Edith Wharton’s novel and “inspired” by Leo McCarey’s “The Awful Truth.”

Regardless, we should scratch off any retirement plans for Coppola, who turns 86 in April. He’s just getting started. By the time “Distant Vision” is released he might be close to 90. Nothing is going to stop him from continuing to make films, except, of course, age and health, which tend to sneak up on you when you least expect it.

As Martin Scorsese recently stated, and he might as well be speaking on behalf of Coppola as well, “I hope God gives me the strength and money to finish them.”

← Trailer for Justin Kurzel's ‘The Order' Box-Office: ‘Terrifier 3' Aims For #1; ‘Folie à Deux' Predicted 70% Drop →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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