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Zack Snyder Says He Still Hasn't Seen James Gunn's ‘Superman' — Months After Calling It “Amazing”

Earlier this year, Zack Snyder mentioned having seen James Gunn’s “Superman.” Heaping praise on it. Now he’s saying he actually hasn’t caught up with it yet?

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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Asghar Farhadi: “I Will No Longer Make Films in Iran”

January 28, 2024 Jordan Ruimy

Iranian filmmaker Asghar Farhadi has built a career out of making these strong and intense Iranian dramas. With "About Elly," "A Separation," "The Salesman," and “A Hero,” the Iranian-born writer-director cemented his name on the shortlist of modern world-class filmmakers.

Farhadi’s next film will be set in Los Angeles and was supposed to start production last year, but the strike occurred and I really have no idea if it’s even been shot yet. This would be Farhadi’s first American film, after having directed projects in France, Spain and his native Iran.

In a new interview with french newspaper Le Monde, Farhadi reveals he won't be making any new films in Iran, for the time being, as an act of resistance against the regime:

Living in Iran is my first choice. I hope to be able to leave my country for specific projects and always be able to return there. I consider each of my stays abroad as a parenthesis, which needs to be closed so that I can recharge my batteries in Iran. This is where I feel good, where life seems more real to me. I like walking in Isfahan and Tehran, this contact with people is fundamental to me on a personal and professional level.

I have always said that censorship is harmful. We can try to find subterfuges or modes of expression to circumvent it, but, in the long term, it dries up your creativity and closes all the channels of art. For forty years, Iranian artists have continued to produce, year after year, despite repression and censorship. But, for the past year, there has been a drying up in production, particularly cinematographic productions. For my part, I can no longer continue to work in the same conditions. I no longer want to systematically cover women's hair in my cinema. I will no longer make films in Iran until I can free myself from this obligation.

Farhadi has shot two films outside of Iran “The Past” (France) and “Everybody Knows” (Spain). Plot details are being kept under wraps about this latest film, set in L.A, it is set to be the 10th feature of Farhadi’s career. His last one was 2021’s “A Hero” which won the Grand Prix at the 2021 Cannes Film Festival.

← Martin Scorsese Says Leonardo DiCaprio’s ‘Flower Moon’ Performance “Will Endure,” Despite Oscar Snub‘Nosferatu’ Was Shot on Film →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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