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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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Ridley Scott Claims ‘Treasure Island’ Will Be the Most Expensive Movie of His Career

Scott says it could be “the highest budget film” of his career” before accounting for tax incentives.” If Scott isn’t bullsh*tting here, and lord knows he might be, that would put the cost in the $200M+ range.

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Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

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Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

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Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Guillermo del Toro Says Friedkin's Final Film Deserves Theatrical Run: “Respect For A Master"

September 6, 2023 Jordan Ruimy

When I learned that William Friedkin’s final film, “The Caine Mutiny Count-Martial” was going straight to Showtime with no theatrical release, well, I wasn’t too happy about it.

This is his first film since 2011’s excellent “Killer Joe” and, given his recent passing, it should be seen as a major event for cinephiles worldwide. A Showtime TV airing is a damn-near insult.

The film screened for press at Venice to positive reviews, but, that didn’t seem to matter, it’s supposedly meant for TV, according to Showtime. Would Friedkin have approved of this? I highly doubt That.

Guillermo del Toro was on the set of ‘Caine Mutiny’ for every single day of the shoot, as a backup filmmaker, since Friedkin couldn’t get insured on the film. Del Toro went on Twitter to spread the word about Friedkin’s final film being dumped on a streamer:

I know it's not the "model" for a streamer but- This is Friedkin's final film. Can we get a theatrical run? No matter if it is a limited one. Just- respect- for a master.

Amen, brother. Friedkin was indeed a master. And if we can spread the word that his final film deserves to be seen in a theater then maybe someone, somehwere, could make that happen. I know, fat chance, but there’s no harm in trying.

Friedkin was one of the more important, and underrated, US auteurs of the ‘70s. A cinematic provocateur, and the sheer amount of voluminous cinematic achievements he’s given us cannot be underestimated: “The Exorcist,” “The French Connecntion,” “Sorcerer,” “To Live and Die in L.A.” just to name a few.

At 87 years of age, this year, the very-selective, Friedkin embarked on his first film in over a decade. This is an adaptation of a 50-year-old script written by Herman Wouk from his Pulitzer Prize-winning novel. Kiefer Sutherland amd Jason Clarke star in the film.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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