• Home
  • Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_5638.jpeg
Adrien Brody’s First Post-Oscar Role Is Karim Aïnouz’s ‘Last Dance’ with Rachel Zegler and Ben Platt — Is It the Right Career Move?
IMG_5628.jpeg
Doug Liman’s ‘Star One’ Sets Miles Teller and Eddie Redmayne for CIA Thriller
IMG_5627.jpeg
Matt Shakman to Direct ‘Planet of the Apes’ Reboot, Not a ‘Kingdom’ Sequel
IMG_5625.jpeg
Christopher Nolan’s ‘The Odyssey’ Trailer Sparks Debate Over Accents, Dialogue, and “Daddy!”
IMG_5623.jpeg
Matthew Lillard Joins James Gunn’s ‘Man of Tomorrow’ as Career Finds New Momentum Post-Tarantino Backlash
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Interviews
  • More
    • Yearly Top Tens

Denis Villeneuve Calls IMAX “the Future of Cinema”

September 24, 2023 Jordan Ruimy

I’m not entirely sure if I’m down with Denis Villeneuve’s recent comments about IMAX being this prophetic savior of cinema. Or maybe I’m just in total denial that this is the actual future.

In an interview with the Associated Press, Villeneuve tackles the financial success of “Oppenheimer, and, particularly, the 70mm IMAX screenings of the film, which offered fans an experience not possible to replicate through home viewing:

“The future of cinema is IMAX and the large formats,” he said. “The audience wants to see something that they cannot have at home, that they cannot have on streaming. They want to experience an event.”

I get what he’s saying, and I do like IMAX, but I sure hope it isn’t the “future of cinema.” This would mean that most people aren't gonna go to movies unless it’s a social event, major event, or incredible experience above what they have at home.

That’s why “Barbie” and “Oppenheimer” did so well; they were big event movies driven by relentless marketing. It’s what Scorsese has called the “Marvelization” of movies. Maybe ‘Barbeheneimer’ doesn’t necessarily fit in Scorsese’s warning of moviegoers only wanting to pay for “rollercoaster rides,” but it hints at something just as concerning.

What about the smaller-scaled movies? Not the IMAX juggernauts, like ‘Dune,’ ‘Oppenheimer’ and ‘Avatar,’ not the one’s driven by spectacle, or shot on fancy cameras. What happens to them? The mid to low budget movies that thrive on art rather than commerce; will these adult-oriented films be tossed aside by this IMAX future?

Villeneuve seems to be implying that for a lot of people to pay what tickets cost these days, the experience needs to be better than at home. Notice how more theaters are using recliner seats. The experience must be optimally designed with not just the best audio and visual experience, but also the comfiest of seating.

That’s where we’re at now. According to Villeneuve, the future of cinema is not the inherent qualities a movie might have, but rather the way it’s shown — on the biggest, most pristine screen available. There’s no way for me to really disagree with him on that, but it’s kind of depressing when you think about it.

A filmmaker like Villeneuve has no problem with this being the future of movies, he has the clout and freedom to make the kinds of movies that IMAX would want to screen, but what happens to the little guys? The ones not names Villeneuve, Nolan and Cameron. There has to be a better way forward and the answer isn’t just IMAX.

← Best of 2023, So Far — Definitely Not 40 TitlesBi Gan’s ‘Resurrection’ to Start Production in October/November →

FOLLOW US!

No results found

Trending

Featured
IMG_5398.jpeg
Warner Bros. Source Says ‘Horizon: Chapter 2’ Is “Frozen” With “No Plans” for Release
IMG_5393.jpeg
Mel Gibson’s ‘The Resurrection of the Christ’ Wraps Seven-Month Shoot With New DP Robrecht Heyvaert, $250M Budget
IMG_5374.jpeg
Is Steven Spielberg’s ‘Disclosure Day’ a Secret Sequel to ‘Close Encounters’?
IMG_5332.jpeg
Lynne Ramsay Says Joaquin Phoenix Arctic Epic ‘Polaris’ Is Her Next Film and Calls It Her ‘2001’

World of Reel RSS

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
 

SEND NEWS TIPS

World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025